
Landscape is a vital theme through which artists have tackled issues of representation, nation and identity. FIGURING LANDSCAPES is a remarkable collection of moving image works from Australia and the UK that has grown from the background of the political and cultural history that links the two countries and the close relationship that continues between them. The individual pieces in FIGURING LANDSCAPES address ecological survival, post-industrialism, gender, the touristic gaze, and the social, political and cultural status of indigenous people in a post-colonial modern society.
The programme is accompanied by a major publication with commissioned essays by Professor Malcolm Andrews, Eu Jin Chua, Professor Catherine Elwes and Steven Ball, Dr. Stan Frankland, Dr. Eric Hirsch, Professor Pat Hoffie and Dr. Danni Zuvela and Professor Ross Gibson.
Copies available priced £7.00 from CINECITY.
FREE
Sun 22 Nov 4.00pm
Sallis Benney Theatre
Landscape is experienced as a spatial encounter with specific places, journeying across distance and memory, custom and industry, on land, on water and through the air. Thirteen short works by contemporary artists evoke their encounters with landscape.
Programme duration : 65 min
Wiliam Raban Civil Disobedience UK, 2004, 3 min
Warwick Thornton & Daren Dale Country Song Australia, 2007, 2 min
Tony Hil Downside Up UK, 1985, 7:24 min extract
Lyndal Jones Noel Australia, 2008, 2 min extract
Emily Richardson Petrolia UK, 2004, 7 min extract
Andrew Kötting Jaunt UK, 1995, 6 min
Jef Doring Mandu Australia, 1983- 2008, 10 min extract
Alan Gidy You Australia 2005 4 min extract
Dryden Goodwin Flight UK, 2005, 5 min
Catherine Elwes Pam’s War UK, 2008, 5 min
Dalziel + Sculion Another Place UK, 2000, 4 min extract
Simon Holington & Kypros Kyprianou CCTV Monitor 1 UK, 2003, 3:30 min
Matthew Murdoch Being There UK, 2006, 2 min
FREE
Sun 22 Nov 5.30pm
Sallis Benney Theatre
The political, cultural and representational engagement with place and being on the land are simultaneously unpacked, celebrated and imaginatively reinvigorated. These are sites of identity and anonymity, named and claimed, scattered with the markers of ownership and the history of humanity in the environment.
Programme duration: 60 mins
Vernon Ah Kee Cant Chant (Wegrewhere) Australia, 2007, 10 min
Ann Donely , Political Landscape, UK, 2007, 7 min extract
Dominic Redfern Heat Australia, 2007, 5 min
Eugenia Lim Young American Australia, 2005, 4 min
David Pery Interior with Views Australia 1975, 5 min
Merilyn Fairskye Conected, Australia, 2003, 10 min
Brendan Lee Proving Ground Australia, 2007, 4 min extract
Genevieve Staines Ruins in Reverse Australia, 2005, 5 min
Dan Shipsides Coir’ a’ Ghrunda 360 UK, 2007, 2 min
Anna Cady Farms of Innocence UK, 2007, 2 min
Hugh Wat Blacklaw UK, 2007, 5 min
FREE
Sat 28 Nov 1.30pm
Sallis Benney Theatre
This programme explores the ambiance of place as it resonates from the broad scope of the horizon to the intimacy of the closely observed. Out there the figure in the landscape is a rare sight, the image of the place is to be constructed from memory, from the image of materials to hand or construed from the abstract sensation of movement.
Programme duration: 70 mins
Nick Colins Tidemils UK 2002, 10 min
Sofia Dahlgren Winter Light UK, 2005, 4 min
Shaun Gladwel, Approach to Mundi Mundi Australia, 2007, 8: 37 min
David Mackenzie Where the Crow Flies Backwards , Australia, 2006, 6:50 min
Jo Milet, Suroundings: Tres, UK, 2007, 3 min
Steven Bal, The Ground, The Sky and the Island, UK, 2008, 7:45 min
Sandra Landolt , Push, Australia, 2007, 4:30 extract
John Conomos, Lake George (after Mark Rothko), Australia, 2008, 7 min extract
Mike Marshal, Days Like These, UK, 2003, 5 min
Scot Morison, Ocean Echoes, Australia, 2007, 9 min
FREE
Sat 28 Nov 3.00pm
Sallis Benney Theatre

UK Co-Curator of Figuring Landscapes Catherine Elwes, chairs a special panel discussion with a selection of featured artists including Matt Hulse, Nick Collins and Semiconductor.
FREE
Sat 28 Nov 4.30pm
Sallis Benney Theatre
Figures in the landscape: polymorphous, animal, vegetable, mineral, visible or invisible. Enacted within the specificity of environment, human presence writes and performs the landscape as much as the landscape inscribes and enacts human presence.
Programme duration: 70 mins
Margaret Tait, Portrait of Ga, UK, 1952, 4 min
David Theobald, Greensleves, UK, 2007, 5 min
John Gilies, Divide, Australia, 2005, 10 min extract
Tammy Honey, iBeach, Australia, 2007, 4 min
Ben Rivers, The Coming Race, UK, 2006, 5 min
Sarah Dobai, Netlecombe, UK, 2007, 7 min
Bronwyn Platten, Meeting Nude Woman Walking on Balls, Australia, 2006, 4 min extract
Hobart Hughes, Removed, Australia, 2005, 6 min
George Barber, River Sky, UK, 2002, 6 min
Roz Cran, Stone, UK, 2008, 4 min
Sergio Cruz, Animalz, UK, 2006, 4 min
Patricia Picinini, Sandman, Australia, 2002, 4:10 min
Matt Hulse, Sine Die, UK, 1994, 4 min
FREE
Sun 29 Nov 4.00pm
Sallis Benney Theatre
Anti-terain Landscape is shaped by our relationship to it. Custodianship of the land and its efficacy transcends a human lifetime; the physical shape of the environment and its cultural and imaginative formation will always be political.
Programe duration : 65 mins
John Hughes & Peter Kenedy, On Sacred Land, Australia, 1983, 6 min extract
Semiconductor, All the Time in the World, UK, 2005, 5 min
Esther Johnson, Hinterland, UK, 2002, 10 min version
Mike Latto, 311, UK, 2007, 10 min Peter Callas,
Night’s High Noon: An Anti-Terrain, Australia, 1988, 7:26 min
Destiny Deacon, Over d-fence, Australia, 2004, 7 min
Daniel Crooks, Static no 10 (falling as a means of rising), Australia, 2007, 7:55 min
Susan Norrie & David Mackenzie, Twilight, Australia, 2006, 9:33 min