
Sunday 21st November, 11.00am
Duke of York’s Picturehouse
Dir: Quay Brothers. UK/Poland 2009. 24mins
A welcome return for the Quay Brothers, subject of a CINECITY exhibition and retrospective two years ago.
Their latest film animated film is an adaptation of a collection of writings by Stanisław Lem, best known as the author of ‘Solaris’ and features a soundtrack from renowned Polish classical composer Krzysztof Penderecki.
A dark tale of love emerges out of a horror story as a creature created limb by limb — an automaton disguised as a female — embarks on a mission to find and destroy a prince. A conflict between the machine and the soul intensifies as ‘she’ comes to realise she has been created to kill the person she falls in love with.
Saturday 4th December, from 11.00am
Sallis Benney Theatre
A showcase of recent works made by Brighton film-makers selected from open submissions.
Each programme just £3.00 or 2 for £5.00. On Door Only
11.00am
BRIGHTON ON FILM:

Short documentaries featuring the city. Approx 80 mins
Die Sinfonie Der Grobstadt Director: Tom Sands. 10 mins
New Members Welcome Director: Jackson Ducasse. 15 mins
Beyond A Song Director: Will Steer. 12 mins
An Experiment of Social and Spatial Experience of the Street Director: Meghan Brooks. 8 mins.
Stencil It Director: Ricky Wells. 32 mins
12.30pm
Mosaic Director: Michael Urwin. 32 mins
An inspiring documentary where four older generation gay civil partners discuss love, marriage, sex, religion and spirituality, heroes and their hopes for the future generation.
1.15pm
FIGURES IN A LANDSCAPE

A diverse selection of films shot around the world. Approx 55 mins
Timepiece Director: Rob Bernard. 6 mins
Pass Me Not Director: Brian Mayfield. 6 mins.
Camp M Director: Jorge Mena. 6 mins
Eleven In The Winter And Twenty Two in The Summer Director: Claire E Griffiths. 8 mins
A Mechanism For Destroying Time Director: David Owen. 10 mins
Don’t Bury Me in Trona Directors: Vicky Wetherill and Jason Skriniar 27 mins
2.30pm
SHORTS

Short dramas and animations. Approx 65 mins
Conversation Piece Director: Joe Tumner. 7 mins
View Director: Catherine Long. 8 mins
Rakija Western Film Trailer Director: Vladimir Jaksic. 5 mins
The Case Of The Disappearing Rabbit Director: Lydia Fuller. 2 mins
Sewn Director: James R Kipping. 16 mins
Greensleeves Director: Stephen North. 13 mins
Crossed Words Director: Tom Sands. 6 mins
Translations Director: Rachel Cohen. 5 mins
Saturday 4th December, 3.45pm
Sallis Benney Theatre

Dir: Ian McDonald with research and interviews by Tom Hickey. UK 2010. 52 mins
A documentary exploring the internationally acclaimed artist William Kentridge, who talks about art-making during Apartheid and in “post Anti-Apartheid” South Africa while preparing for his next major work, The Nose. A range of artists and academics from Johannesburg comment on his art and his position as a global artist. The film moves between Johannesburg where Kentridge lives and works and his 2007 exhibition at the University of Brighton. Carried forward by the evocative music of Kentridge’s collaborator Philip Miller, the film prompts us to think about the relationship between identities, politics and art.
Screening introduced by Professor Bruce Brown, Pro-Vice-Chancellor for Research at the University of Brighton. Followed by Q&A.
Saturday 4th December, 5.45pm
Sallis Benney Theatre
Dir: Jess Dickenson. UK 2009. 60 mins
Filmed during a fourteen month, 50,000 km road tour of Australia, THE DUST NEVER SETTLES eschews traditional documentary or travelogue conventions. It features a series of fascinating and humorous encounters with unconventional individuals inhabiting some of the country’s most remote areas. With a soundtrack from Dirty Three.
Tuesday 23rd November, 7.00pm
Sallis Benney Theatre
Presenting a series of films from the city’s youngest film making talent. Watch a showcase of accomplished and insightful expressive dance, documentary, animation and comedy shorts.
From students at Patcham High School, Varndean College, City College & University of Brighton MFA course.
Saturday 27th November, 2.00 – 5.00pm
Lighthouse Arts & Training
Film Nation: Shorts is a competition that invites young people (aged 14-25) to make, and vote for, films celebrating the London 2012 Olympic and Paralympic Games.
Run in partnership with Panasonic, Film Nation: Shorts will introduce young people to film-making, support them in developing their talent, and give everyone who enters a chance to have their work screened around the UK. Winning films will be screened in front of the crowds in venues during the Olympic and Paralympic Games in London in 2012.
The competition is accompanied by a UK-wide programme of workshops to provide extra help to young people to begin making films, develop their skills and meet other people to share ideas and develop projects.
FREE ‘An Introduction to Directing – Creating Performance’ Workshop for 19-25 year olds
Working with 104 Films and local film director Joe Tunmer, learn the necessary skills & techniques to successfully direct actors on screen. This workshop is for first time filmmakers aged 19-25.
To book a place on the workshop email info@cine-city.co.uk (15 places available only)
See www.filmnation.org.uk for the latest entries to the competition and vote on your favourite or upload your own film.

Sunday 28th November, 4.30 pm
Sallis Benney Theatre

To mark the launch of Issue 5, One + One will be hosting a panel discussion with film-makers on the subject of their first films. The panel will include Vito Maraula with his short film ROSIE AND RIVETTE (2010), Liz Soden and Greg Scorzo with their film THE MEDEA LEGACY (2010) and Daniel Fawcett talking about the making of his first feature DIRT (2010) which screened at the Cambridge Film Festival.
One + One is an independent film-making magazine comprised of interviews, essays and reports covering all aspects of film-making and film exhibition. One + One aims to encourage discussion and debate about the nature and future of the production process and exhibition of films.
Thursday 2nd December , 6.30pm: Doors & Bar, 7pm: Talk
Lighthouse Arts & Training
Entry: £3
The British Film Institute is the UK’s leading organisation in promoting appreciation of film and television heritage and culture.
Lighthouse is delighted to welcome Eddie Berg, who will be discussing the convergence of film and moving image in contemporary art, the BFI’s work as curator of the world’s most significant collection of film and television and the role of BFI film festivals in showcasing new work and giving independent filmmakers a voice.
As developments in government policy-making impacting the British film industry continue to unfold, this is a timely opportunity to hear Eddie’s views on what the future may hold for British filmmakers.
For more information and to book a ticket please visit:
http://www.lighthouse.org.uk/whatson/eddieberg.htm
November 17th – 1st Dec (Closed Mon & Tue), 12.00 – 5.00pm
Regency Townhouse

Swandown is both travelogue and odyssey. For the last five or six years film-maker and artist Andrew Kotting (GALLIVANT, IVUL) and writer Iain Sinclair have been formulating a plot to pedal a Swan shaped pedalo from Hastings to Hackney. As part of the research they have walked the entire route and wherever possible followed, rivers, canals, seas and channels. This installation (at the Regency Town House) is a work-in-progress and includes photographs, film loops and 7 Swandown Bookworks containing maps, plots, evidence, postcards, correspondence and a website. The work might be seen as an endurance test or pedal-marathon undertaken in the spirit of Dada or the psychogeographical meander.
Monday 22nd November, 6.15pm
Regency Town House

A perambulation through the Regency Town House exhibition in the company of Iain Sinclair and Andrew Kotting.
£4 – limited capacity, tickets must be booked in advance. Proceeds go to The Regency Town House renovation.
Friday 26th November, 7.00pm
Sallis Benney Theatre

Grant Gee (JOY DIVISION, MEETING PEOPLE IS EASY) is making a multi-layered film essay on the work and influence of hugely acclaimed writer WG Sebald (1994 – 2001) via a long walk around the coast of East Anglia tracking his most famous book The Rings of Saturn.
German-born WG Sebald has become one of the most influential writers of the last 50 years; he is also one of the most distinctive. The Rings of Saturn is a book about memory, history and walking but it is also extraordinarily digressive and hard to pin down. His work has also fascinated many contemporary artists not least his use of photographs within the text.
In conversation with writer and critic Chris Darke, Grant Gee will present exclusive extracts of this work in progress and talk about his approach in exploring his WG Sebald on screen.
PATIENCE (AFTER SEBALD) is an original commission by Artevents for The Re-Enchantment, their national arts project exploring our relationships to place (www.artevents.info). It will receive its world premiere in January 2011 at Snape Maltings, Suffolk, alongside an exclusive concert with Patti Smith (www.aldeburgh.co.uk).
The Re-Enchantment is core-funded by the Paul Hamlyn Foundation and supported by the National Lottery through Arts Council England. PATIENCE (AFTER SEBALD) is also funded by the UK Film Council, Screen East and Screen South.
Sunday 28th November, 11.00am
Duke of York’s Picturehouse

Dir: Peter Tscherkassky. Austria 2010. 25mins
The latest film from Peter Tscherkassky (who featured in CINECITY 2008) is a dynamic and humorous meditation on the relationship between early cinema and avant-garde film. It explores the ‘Cinema of Attractions’ and the very different relationship between actor, camera and audience that existed before ‘modern cinema’ after 1910, which in turn lead to the narrative technique of D.W. Griffith.
Tscherkassky detects within advertising and its direct addressing of the audience, a residue of the cinema of attractions and so here brings together commercials, avant-garde and early cinema.
Saturday 27th November, 1.15 pm
Sallis Benney Theatre

These projects explore different periods and places through a range of projects, reflecting change and difference from then till now. The projects include:
Canterbury in Colour: films of Canterbury in colour in the 1930s with new music by students from Simon Langton Grammar School for Boys, inspired by composer Neil Brand.
Capturing Colour: the history of colour film (introducing the exhibition at Brighton Museum & Art Gallery that starts in early December)
Captured by Women: women film-makers working abroad in the inter-war period (lost film from the Pitt Rivers Museum)
Hollywood by the Sea: the work of the Bognor Regis Film Society in the 1930s
Nomadic Picture House: a touring programme of material from Screen Archive South East
Smith & Williamson: the Early Brighton & Hove film pioneers
Saturday 27th November, 3.30pm
Sallis Benney Theatre

Archivia presents seven new films that use archive film as a startling point for films that explore lives, histories and feelings.
Against The Tide (www.tide.org.uk) is an interactive documentary project in which four regional film-makers created responses to archive films in the collection of Screen Archive South East. Each film tells a modern story. They are:
- Back at the Ranch (Wilma de Jong) – a horse and donkey sanctuary at Broadstairs
- Old Man in the Sea (Kat Mansoor) – sea-bathing at Brighton
- The New School (Danny Weinstein) – a school near Chichester
- Permanently Yours (Daisy Asquith) – a hairdressers at Folkestone
The new films tell modern stories and all can be viewed on the project’s website which aims to inspire people to add their stories and comments.
The Pickers is a thoughtful and challenging new work by the artist Adam Chodzko. It reflects on the relationship between hop pickers in the 1930s and a contemporary group of Romanian workers at a strawberry farm and our understanding of the role migrant labour plays in agriculture.
Moonbug is about the photographer Steve Pyke and his fascination with the moon landings and the first men who walked on the moon. Using photographs and archive footage, we are introduced to this new film on history and memory by Nicola Bruce.
Modern Life is a new music film hat comes out of a unique collaboration between Oska Bright Film-Makers with Junk TV and Carousel’s resident rock band Beat Express. Using archive film footage from the Screen Archive South East and a new song by Beat Express, animated images of Brighton and Hove reflect the busy nature of modern life.
Sunday 21st November, 7.00pm
Lighthouse Arts & Training

A fascinating line up of contemporary direct animation from some of the leading “Hand Eye Visionaries”. With the focus on less familiar work, the programme has a strong selection of women film-makers who reveal a variety of experimental approaches and styles. Plus a very rare chance to see an example of early work by Stuart Wynn Jones from the 1950s British amateur animation collective, the Grasshopper Group.
Lauren Cook: Altitude Zero (2004, USA, 5); Naomi Uman: Hand Eye Coordination (2002, USA, 10); Jennifer Reeves: The Girl’s Nervy (1995, USA, 5); Dirk de Bruyn: Vision (1985, Australia, 4); Louise Bourque: Fissures (1999, USA, 2); Martha Colburn: Skelehellavision (2001, USA, 8); Stuart Wynn Jones: Short Spell (1956, GB, 2); Steven Woloshen: Camera Takes Five (2003, Canada, 3)
Wednesday 24th November, 7.00pm
Lighthouse Arts & Training

Brighton’s own Ian Helliwell, artist-filmmaker-musician, presents for the first time a retrospective of his direct animation. Having begun intuitively at the start of the 1990s, he has experimented with a range of techniques for creating images directly on super 8 film. His work is distinctive, if not unique in that he also designs and builds his own electronic instruments — Hellitrons and Hellisizers — which he uses to make all the soundtracks. For anyone interested in colour, light and animation and the synthesis of film and music, this programme promises to be both an eye and an ear opener.
Deflection Currents (2005, 3’15); Grid (2007, 2’20); Chromaburst (2001, 4’55) Angel Recovered (2003, 3’15); Orbiting the Atom (2002, 4’50); Rust to Dust (2006, 2’25); Origami (2003, 50 sec); Signal Tracing (2007, 3’05); Optical Action (2004, 3’50); Striations (2005, 4’10); Cycles Per Second (2003, 3’20) Catalyst (1997, 1’25); Get Set (2005, 3’25); Crosshatch (2003, 7’20); Dash Dot (2006, 55 sec).
Saturday 27 November, 7.00pm
Lighthouse Arts & Training

This experienced film and music-making partnership presents a selection of direct animation for the first time in Brighton, including a new film made especially for the event. Working in a variety of formats from Super 8 to 35mm, and with a number of commissions under their belts, the pair, either working separately or as a team, have produced a significant body of experimental, cameraless work.
Night Sounding (1993) Sunset Strip (1996) A Short Walk (2004) Verge (2005) Poppies (2006) Brighton Road Movie (2010).
Saturday 27th November, 5.30 pm
Sallis Benney Theatre

Drawn from the collections of the Arxiu de la Filmoteca de Catalunya and the British Film Institute, this show explores the wonders of silent colour. Through hand-colouring and stencilling, both the everyday world and the land of fairy-tales and dreams were brought to the screen. Not only were audiences amazed by the magic of film technology but also startled by the strange visions in front of their eyes. A special feature of the show are the re-creations of the experience of Kinemacolor – the world’s first colour motion picture system. It was devised from 1903 to 1908 by G. A. Smith of Hove and Southwick and was one of the great marvels of the Edwardian era. Live music by Stephen Horne with commentary by Frank Gray of Screen Archive South East.
Sunday 28th November, 2.00pm
Sallis Benney Theatre

This programme presents projects from across the region that have engaged with local histories and memories, worked with communities, interacted with young people and explored new technologies. Together they present exciting and unexpected uses of archive films.
Fortune Obscura: a live performance event in Brighton during White Night, 2009
Hidden Connections: A community film-making project in Hastings involving school children, local community members the Electric Palace Cinema, the Stade Education Project and the Fishermens Protection Society.
History in Motion involved disabled students from Valence School in Westerham in the making of a film inspired by archive film of disabled young people taking part in sporting activities at a school summer camp in 1920s.
Past / Present (Lighthouse, Brighton) uses heritage film from the Second World War to inspire and create an interactive and participatory 3-D virtual reality.
Southern Discomfort: Inspired by archive films of Eastbourne and Bexhill, young people participated in a set of artist-led workshops and made films that represented both real and imagined representations of place.
Streets of Slough: Young people of Slough creating new films inspired by films held by Slough Museum; a project that digitises, re-contextualises, edits and re-purposes archive films.
Watermark: ‘Teasers’ by UCA Maidstone film & video arts graduates Marley Showler and Robert Barnard and third-year student Jamie Jenkinson. All three were crew at the ‘Story Shop’ in Dover where former employees from Buckland Paper Mill were interviewed for the Watermark film.
Project Eden – The Birth of A City: A youth led participatory production re-purposing unseen archive of the building of Milton Keynes.
Sunday 28th November, 11.30 am
Duke of York’s Picturehouse

Director: Gustav Deutsch
Referencing the D.W. Griffith maxim, revived by Jean Luc Godard, that all you need to make a film is a girl and a gun, Gustav Deutsch’s feature length opus is an exploration of sex and violence, Eros and Thanatos, in the first decades of cinema.
Melding together extracts from nature films, early pornography, science and education footage, melodramas and slapstick comedies, Deutsch creates a poetic montage to explore a history of love and lust, desire and violence on the silver screen. The visual impact of this erotically charged epic is heightened by Deutsch’s subtle use of colour tinting — in all 12 colours are used — combined with a suitably evocative score.
The extraordinary range of archive footage is structured as a five act Greek drama, interspersed with ancient poetry and philosophy. The latest instalment in his on-going FILM IST series, Deutsch worked with ten archives across Europe including the Imperial War Museum and also drew on material in the Kinsey Institute for Research in Sex, Gender and Reproduction, source of much of the more explicit footage. Reclaiming these ‘orphan’ films he viewed more than 2,500 titles over a four-year period in making his final selection.
Thursday 18th November, 6.30pm
Duke of York’s Picturehouse
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Dir: Tom Hooper. Starring Colin Firth, Geoffrey Rush, Helena Bonham Carter, Guy Pearce, Michael Gambon, Timothy Spall, Jennifer Ehle, Derek Jacobi. US-Australia 2010.118mins.
Based on the true story of the King George VI’s struggle to overcome a stammer when he reluctantly became King, this is an outstanding period drama combining a brilliant, witty script and powerful and compelling performances from a stellar cast.
The film opens in 1925 as Prince Albert, The Duke of York (Colin Firth) attempts to deliver a speech at the British Empire Exhibition and address the nation through the new medium of radio. His lack of confidence and ability to communicate causes him acute embarrassment and so with the support of his wife Elizabeth (Helena Bonham Carter) he starts to see a line of various ineffectual ‘experts’ before visiting Australian speech therapist Lionel Logue (Geoffrey Rush). Initially flummoxed by Logue’s progressive techniques, Albert’s stiff and troubled persona begins to loosen with Logue’s firm guidance and warmth – although flashbacks reveal the depth of the psychological problems behind the stammer.
After the death of his father and abdication of his brother Edward (Guy Pearce) to marry American socialite Wallis Simpson, Albert is forced to become King. But when a king speaks he must command attention and with the country hurtling towards war he is faced with his greatest challenge.
With an exceptional performance from Colin Firth at its heart this is a wonderfully moving and charming film; the deserved winner of the Audience Award – and standing ovations – at the recent Toronto Film Festival.
Friday 19th November, 6.30pm
Duke of York’s Picturehouse

Director: Anton Corbijn. Starring: George Clooney, Violante Placido, Johan Leysen, Paolo Bonacelli, Thekla Reuten. USA 2010. 104 mins.
George Clooney is Jack, a methodical hitman in the latest feature from Anton Corbijn, director of the Joy Division biopic, CONTROL.
After a messy shootout in Sweden, Jack retreats to the Italian countryside and begins to foster relationships with a priest called Benedetto, who urges him toward absolution, and local prostitute, Clara. Jack initially struggles with his inherent distrust of others, but begins to realise that companionship is what he needs most. He has, however, committed to one last assignment for his boss Pavel; to build a gun for another assassin, Mathilde.
THE AMERICAN’s distinctive pace and style and Corbijn’s ability to sensitively express isolation sets this observation of a clinical cold-blooded occupation apart from conventional Hollywood action films. THE AMERICAN is minimalist and unsettling with an understated and focused performance from Clooney as the inscrutable and solitary assassin.
Friday 19th November, 11.00pm
Duke of York’s Picturehouse

Dir: Jalmari Helander. Finland 2010. 77mins.
“This Christmas everyone will believe in Santa Claus” reads the tagline of RARE EXPORTS: a bizarre Finnish black comedy about a team of scientists who find Santa buried in the depths of the Korvatunturi Mountains and foolishly decide to release him from his icy prison. The town’s livestock is slaughtered and the children start to go missing …
The film is based on two short films previously shot by the director, Jalmari Helander, which became something of an online phenomenon and retains their twisted blend of humour and horror. Inventive and macabre and destined to become a cult success, this is a Yuletide like no other.
Saturday 20 November, 6.30pm
Duke of York’s Picturehouse

Director: Mark Romanek. Starring: Carey Mulligan, Keira Knightly, Andrew Garfield, Charlotte Rampling, Sally Hawkins. UK/ USA 2010. 103mins.
Based on Kazuo Ishiguro’s unsettling bestseller, NEVER LET ME GO features an impressive fusion of British talent amid much talk of potential awards success.
Alex Garland (28 DAYS LATER, THE BEACH) wrote the screenplay which is vividly brought to life by the three leads: Carey Mulligan, Andrew Garfield (the new Spider-Man) and Keira Knightley. Narrated by Kathy (Mulligan) who is now in her thirties, she recalls the friendship she shared with Tommy and Ruth at a seemingly idyllic boarding school. Sheltered from the outside world, as they grew older they learn of the dark secret that hangs over their lives while deep feelings of love, jealousy and betrayal threaten to pull them apart.
The superb cast also features Charlotte Rampling as the headmistress, Sally Hawkins, who co-starred with Mulligan in An Education, has a supporting role as teacher Miss Lucy. Beautifully shot, the exceptional English countryside locations provide a stark contrast to this haunting and other-wordly story of love and loss.
Sunday 21st November, 6.30pm
Duke of York’s Picturehouse

Dir: Xavier Beauvois. France 2010. 120mins
Winner of the Grand Jury Prize at this year’s Cannes Film Festival and France’s official selection for the Oscars.
In a Cistercian monastery in North Africa in the 90s, eight monks live in harmony with the local population, dispensing medicine and good advice, as well versed in the Koran as the Bible. But the war-torn country is in the grip of fundamentalist violence and the brothers for their own safety are under pressure to leave. Amid much soul-searching and crises of faith they will not be forced from their calling and home.
The ensemble cast with Michael Lonsdale superb as Brother Luc the resident doctor, capture the quiet dignity as they go about their monastic life; there is an especially tender scene where they enjoy a ‘Last Supper’, a glass of wine and each other’s company while listening to ‘Swan Lake’. Tragedy and violence are never far away but the film has a real poignancy and sense of restraint showing (the former enfant terrible) Xavier Beauvois (Don’t Forget You’re Going To Die, Le Peteit Lieutenant) has matured into a masterly director.
The film is inspired by real events, the still not entirely explained kidnap and murder of seven monks in Algeria in 1996.
Sunday 21 November, 11.45am
Duke of York’s Picturehouse

Dir: Michelangelo Frammartino. Italy / Germany / Switzerland. 2010. 86mins
One of the real highlights of this year’s Cannes film festival was this almost wordless film of striking beauty and originality. Set in remote, rural Calabria in southern Italy it is a delicate and wryly funny meditation on rural life.
Quasi-documentary in form and with a pace exquisitely matched to that of the village itself the main subjects are an elderly goatherd, baby goat, dog, fir tree and smoking charcoal kiln. There is no dialogue as such but a rich soundscape of goat bells and howling winds, church bells and burning wood. The film’s titles translates as ‘The Four Times’ derived from a Pythagorean text identifying man’s nature as mineral, vegetable, animal and rational; the overall feel is of something elemental, primordial even.
In LE QUATTRO VOLTE one can find echoes of the poetry of SLEEP FURIOUSLY or the dry humour of HUKKLE (2003) but this is a rare and wondrous work.
Monday 22nd November, 6.30pm
Duke of York’s Picturehouse

Director: David Dusa. Starring: Rachid Youcef, Alice Belaidi. France 2010. French & Persian with English subtitles. 100 mins.
An imaginative and original drama exploring the powerful voice the internet provided in Iran after the 2009 presidential elections. Outraged at the rigging of the election Iranian citizens took to the streets to demonstrate their anger. The government arrested journalists and retaliated with shocking violence and the people organised movements through twitter and revealed the horrific reality with mobile ‘phone footage.
Anahita, a young woman from an affluent family, is sent from Tehran to Paris for her safety. She meets Rachid, a bellhop at her hotel and a tender relationship develops between them. Technology brings them together yet alienates at the same time; Anahita lives her life vicariously through twitter, and anxiously awaits updates from her friends in Tehran, while Rachid’s comparative freedom is expressed through his fluid leaps through the streets and rooftops of Paris as his parkour online-persona Gecko. With YouTube videos, blogs and Twitter updates, Dusa’s film captures the fragmented experiences flooding the internet and how it is changing our relationships and perception of the world.
Tuesday 23rd November, 6.30pm
Duke of Yorks Picturehouse

Directors: Rob Epstein, Jeffrey Friedman. Starring: James Franco, Jon Hamm, Mary-Louise Parker, Jeff Daniels. USA 2010. 90 mins.
James Franco is Allen Ginsberg in this innovative interpretation of Ginsberg’s seminal poem. Acclaimed documentary film-makers Rob Epstein and Jeffrey Friedman (THE TIMES OF HARVEY MILK), were originally commissioned by Ginsberg’s estate for a documentary, but in their commitment to delivering a piece that would capture the essence of Ginsberg they found the project expanding into this imaginative hybrid of a film. HOWL unfolds through three threads; an interview with Ginsberg, the court case charges of obscenity that challenged the ‘artistic merit’ of Howl, and animations of Ginsberg’s vivacious, erotic and neurotic imagination. Nominated for the Golden Bear at Berlin and the Grand Jury Prize at Sundance, HOWL boldly evokes the intense energy of its eponymous poem – the urgency, the absurdity and the exhilaration – and conjures up the force of Ginsberg like a wild incantation from one of those smoky nights in a San Francisco bar.
Wednesday 24th November, 6.30pm
Duke of York’s Picturehouse

UK 2010. 40mins. With David Hayman
Barry Adamson was bass player in legendary post punk band, Magazine between 1978 and 1982. He then went on to become a founder member of Nick Cave and the Bad Seeds in 1984. His solo debut, Moss Side Story, a slice of Northern noir, was a soundtrack to an imaginary unmade film and after contributing to Derek Jarman’s THE LAST OF ENGLAND, Adamson went on to write the score to Alison Anders’s GAS FOOD LODGING and provided music for David Lynch’s LOST HIGHWAY. He has built up an impressive body of cinematically-oriented solo work, including 1992′s Mercury Nominated Soul Murder, The Negro Inside Me, As Above So Below and The King of Nothing Hill.
THERAPIST is Adamson’s debut as director, a stylish and atmospheric thriller; a film within a film that follows Polish woman Monika as she searches for her sister. But is her story real or the metaphor for another man’s emotion, a story straight from the therapist’s couch?
After the screening Barry Adamson will be in conversation to discuss his work and influences.
Thursday 25th November, 6.30pm
Duke of York’s Picturehouse

Directors: Renaud Barret, Florent de La Tullaye. Democratic Republic of the Congo / France 2010. 84 mins. French with English subtitles.
Set in the Congolese city of Kinshasa, documentary BENDA BILILI! tells the story of a group of musicians known as Staff Benda Bilili. “Benda bilili” means “beyond appearances” and it’s an appropriate name for the band, formed around three middle-aged (and wheelchair bound) homeless men, supported by two talented street children – including Roger, the group’s teenage virtuoso soloist who performs on a small, one-string instrument he fashioned from a tin and a thin piece of nylon. The group play their music as a means of salvation and survival: to support families and make a living without resorting to petty theft. Spanning a period of five years, the film highlights the desperation and poverty that marks the lives of those who live on the streets, whilst also showcasing the group’s joyous dedication to making music as they put an album together with a view to achieving the dream: playing a European tour (the band played a memorable concert at Brighton Dome a year ago). Universally heralded when it played in Cannes this year, BENDA BILILI! is a supremely uplifting tale about the pure joy of music.
Friday 26th November, 6.30pm
Duke of York’s Picturehouse

Director: Andy De Emmony. Starring: Om Puri, Linda Bassett, Lesley Nichol, Emil Marwa, Jimi Mistri. UK 2010. 103mins.
The sequel to Bafta-wining EAST IS EAST (Dir: Damien O’Donnell 1999). Reuniting several of the key talents involved including writer Ayub Khan-Din, WEST IS WEST takes up the story of Pakistani father George Khan (Om Puri) and his English wife Ella (Linda Bassett). While most of the children have now flown the nest the youngest son Sajid is playing truant to avoid bullying at school and clashing with his traditionalist father. George decides that a trip to Pakistan is just what father and son need. Returning to the farm, family and first Mrs Khan George left behind thirty years ago things get even more complicated when Ella arrives from England to reclaim her family.
Warm-hearted and poignant WEST IS WEST is a colourful crowd-pleaser exploring cultural roots and family ties.
Saturday 27th November, 7.00pm
Sallis Benney Theatre

Dir: Peter Raymont and Michèle Hozer. Canada 2009. 106mins
Before his death in 1982 at the age of 50 Gould, the enigmatic and handsome Canadian pianist, had become one of the most striking figures in classical music with his interpretations of Bach, Mozart and Beethoven. His style provoked mixed reactions, but his popularity soared. He was irrefutably odd, and had idiosyncratic demands – he preferred not to shake hands and he was hypersensitive to temperature, leading him to wrap up in winter hat, scarf and gloves whatever the season. He always performed from his custom made, low-slung piano chair, even when the seat had completely worn out.
Raymont and Hozer’s documentary makes splendid use of a great range of archive material and explores Gould’s legacy, moving from his professional life to more intimate memories from family and friends in an attempt to get behind the myth. A man obsessed with his work, Gould was an impenetrable character to many but this is a fitting celebration of his progressive approach to music.
Sunday 28th November, 6.30pm
Duke of York’s Cinema

This show celebrates Brighton & Hove’s greatest film-makers – George Albert Smith and James Williamson – and the films that they made around 1900. Smith established his film factory at Hove in 1897 and drew upon his knowledge of contemporary music hall, theatre, pantomime, mesmerism and the magic lantern to make a set of comedies and trick films that revealed the potential for the new medium of film. Williamson was a chemist and lanternist and, inspired by contemporary events, he made films that responded to the Boer War and the Boxer Rebellion. Their work introduced the concept of the edited film – that shots of film could be combined in order to create new meanings. This innovation marked the birth of film as an art form. The show features live music by John Sweeney with commentary by Frank Gray of Screen Archive South East.
Saturday 27th November, 6.30pm
Duke of York’s Picturehouse

Director: Alejandro Gonzalez Inarritu. Starring: Javier Bardem, Maricel Alvarez, Hanaa Bouchaib, Eduard Fernandez. Spain/ Mexico 2010. English & Spanish with English Subtitles.
Breaking away from his multi-narrative style, BIUTIFUL is the new feature from the critically acclaimed Alejandro González Iñárritu (AMORES PERROS, BABEL). Javier Bardem delivers a superb performance as Uxbal, navigating a life of adversity in the Barcelona underworld. He cares for his two young children while his bipolar, alcoholic wife embarks on an affair and assists his brother in the arrangement of exploitative and hazardous work for illegal immigrants; coordinating Chinese factory workers and African street vendors who sell counterfeit merchandise. With his health dramatically failing, death hovers over Uxbal’s shoulder, but he resolutely bears the weight alone, fearful for the future of his children and solemnly aware of his diminishing time.
Cinematographer Rodrigo Prieto (Amorres Perros, Brokeback Mountain, Lust, Caution) strikingly illuminates the beauty in the decay and captures the sense of other-worldliness that permeates Uxbal’s life.
Wednesday 1st December, 6.30pm
Duke of York’s Picturehouse

Simon Fisher Turner with Black Sifichi
A special live re-mix of Derek Jarman’s BLUE.
In its only performance this year — on World AIDS Day — the film’s soundtrack is presented live by Simon Fisher Turner with narration by poet and musician Black Sifichi.
The viewer is immersed in a field of blue light, pure cobalt blue, to fully focus on the soundtrack as Jarman free associates around the artistic, philosophical and metaphysical meanings of blue — sky, water, flowers, a boy named Blue, sadness, the infinite — connecting them to his life and body of work.
As the blueness of the screen seems to pulse, the evocative sound collage from longtime musical collaborator Simon Fisher Turner — gongs, Berlin techno, footsteps walking on a windswept pebble beach — transports us through the daydreams and reflections of a dying man. The sound design provides the film’s narrative, its pictures and its emotional core. The ending is a beautifully pitched meditation on life’s swift passing:
…
Our life will pass like the traces of a cloud
And be scattered like
Mist that is chased by the
Rays of the sun
For our time is the passing of a shadow
And our lives will run like
Sparks through the stubble
I place a delphinium, Blue, upon your grave.
BLUE, Jarman’s most personal and experimental film was made just a year before his death in 1994 from AIDS. By this stage treatments for the virus made him see everything through a blue haze, prolonging his life but destroying his eyesight. Though his final work, the idea of a film inspired by Yves Klein and the colour blue was something Jarman had explored throughout his career.
Sunday 28th November, 7.00pm
Sallis Benney Theatre

Director: Darren Bartlett. 70 mins.
Director Darren Bartlett first visited CINECITY in 2007 with his documentary O ZELADOR about Brazilian Capoeira. In his second feature documentary he returns to Brazil to explore the multi-faceted and vibrant culture that stretches across the country’s social divides. It is a study of Rio from its picture postcard beaches through to the tough suburbs, using informed commentary from academics, artists and footballers (including legendary 80′s Brazilian captain Socrates) and last but not least O Povo (the people). From this diverse selection CADENCIA builds a picture of Rio’s sports and cultures, it’s divisions, it’s traditions, and the cohesion that creates the strong unified image Brazil projects to the world. Finely crafted with a strong visual style the film clearly reflects Bartlett’s own enthusiasm and love of the country and is an engaging exploration of the rapidly developing nation.
Monday 29th November, 6.30pm
Duke of York’s Picturehouse

Dir: Marc Evans. Starring Matthew Rhys, Matthew Gravelle, Duffy, Nia Roberts. Argentina / UK 2010. 113mins. Welsh / Spanish with English Subtitles.
The cultural and linguistic connection between Wales and Patagonia forms the backdrop to this intriguing relationship drama from Marc Evans (SNOW CAKE) featuring the acting debut from pop singer Duffy.
In the late 19th Century a small group of Welsh men, women, and children left to escape the cultural oppression of the English and landed in Patagonia, on the southern tip of South America, where a Welsh-speaking community survives to this day.
Switching between Argentina and Wales the film follows two pairs on very different journeys; elderly Patagonian Cerys ends up with her neighbour’s teenage son in Wales in a quest to find the family home before she dies; photographer Rhys (Matthew Gravelle) travels with his girlfriend Gwen (Nia Roberts) on a commission to photograph the isolated missionary churches of Patagonia.
With strong performances throughout their stories unfold against the beautifully photographed panoramic landscapes of the two countries.
Saturday 4th December, 1.00 – 4.00pm (Drop in)
Brighton & Hove Museum Art Room

Come along and join in this free hands-on workshop where you can paint, draw and animate directly onto 16mm film! Suitable for all ages. The project is called “Unravel”, and through workshops all over Britain an epic 16 hour long hand-painted film will be created, which correlates in length with the 874 miles between the two extreme edges of Britain; John O’Groats and Land’s End (one 16mm frame = one metre). The film will link together and be created by local communities throughout England, Scotland and Wales. Truly collaborative filmmaking!
Saturday 4th December, 2.00pm
Duke of York’s Picturehouse

Dir: Michael Powell. UK 1972. 55mins. Starring: Mark Dightam, Robert Eddison, Helen Weir.
A family film about a boy sent home from school for falling asleep during a lecture on electricity. Travelling on the underground he and his fellow passengers and the train, all unaccountably turn yellow. That is only the start of his strange adventures, as he loses his pet mouse in the Tower of London and encounters an alien who feeds on electricity.
Michael Powell and scriptwriter Emeric Pressburger are renowned for their vivid use of Technicolour in a range of films including A MATTER OF LIFE AND DEATH, RED SHOES and BLACK NARCISSUS. This their last completed work was made for the Children’s Film Foundation. On the surface it may appear as a colourful schools programme telling an entertaining story in order to get across simple lessons in the science of electricity but its invention and surrealist touches memorably make it much more. The Archers (aided by their faithful cinematographer Christopher Challis) couldn’t hope to achieve their customary visual spectacle on such a tiny budget but this is vivid fantasy and education with bags of charm.
+ LEN LYE PROGRAMME (U) 25mins approx
Len Lye was a New Zealand born artist and animator. Emigrating to London, in the late 1920s he began experimenting with the colour and movement of animation, stating “the beauty of film lies in her kinaesthesia”.
Lye did not use a camera to produce his films but rather he painted or stencilled directly onto the celluloid, a technique he pioneered. Often incorporating advertising slogans and logos from the sponsors of his films, Lye’s vibrant and colourful animations were then synchronised to jazz and Cuban music scores.
Programme includes: A COLOUR BOX (1935 4mins); KALEIDOSCOPE (1935 4mins); RAINBOW DANCE (1936 5mins); TRADE TATTOO (1937 5mins); SWINGING THE LAMBETH WALK (1939 4mins); MUSICAL POSTER No.1 (1940 3mins).
Tuesday 30th November, 6.30pm
Duke of York’s Picturehouse

Director: Nicholas Philipert. France 2010. French with English subtitles.
Nicholas Philipert established his reputation with the multi award winning ETRE ET AVOIR; a tender and humorous observation of a French single roomed school. With NENETTE, he returns to another small space; the confined enclosure of a zoo. Philipert’s focus is on the orangutan Nénette, the oldest inhabitant in the Jardin du Plantes in Paris who has remained while staff have come and gone. Now in her forties, she has had three mates and lives with one of her offspring. Philipert’s film follows the orangutans and listens in on the human reactions to Nénette and her habitat. She is serenaded, admired and absurdly insulted by a string of visitors who seem as oblivious to the observing camera as she is to their judgments. It is the casual observations and projections of these visitors that open up a remarkable and engaging exploration on the notion of subject and audience; and the nature of humanity.
Thursday 2nd December, 6.30pm
Duke of York’s Picturehouse

Director: Florence Jaugey. Starring: Alma Blanco. Nicaragua 2009. 90mins. Spanish with English subtitles.
The first feature film made in Nicaragua for over twenty years, LA YUMA is the story of a headstrong young woman who dreams of escaping poverty using her talent for boxing. Newcomer Alma Blanco lends a tangible air of authenticity to the lead role, portraying the title character with a subtle layer of vulnerability beneath her tough and streetwise exterior. Berlin Film Festival winner French director Florence Jaugey (who also co-wrote the screenplay) offers us a fresh take as the film takes us around the capital city of Managua, crossing class and cultural barriers along the way. A cross-section of Nicaraguan life is represented here as we see everything from a poor, gang-controlled neighbourhood to a University campus – via a rock concert and a male strip club. A surprise hit back in its native country and a success across Latin America, LA YUMA is multi-award winning cinema and a rare chance to glimpse a part of the world not often committed to film.
Thursday 2nd December, 7.00pm
Sallis Benney Theatre. Free Entry On Door Only

Director: Matei-Alexandru Mocanu. Romania 2010. 76mins. Romanian with English subtitles.
A documentary looking at the formation and eventual dissolution of The Shukar Collective, a collaboration between three Gypsy folk musicians and a posse of urban music producers and DJs. The film highlights the vibrancy and raw musical talent of the Romany Gypsy musicians; the director sensibly letting the music lead the way with sustained sequences. He also captures several breathtaking improvisations which further emphasise the virtuosity –and unpredictability – of the performers. Yet the film is just as much about wider social issues as it is about music and the gulf that exists between the Gypsy community and the rest of Romanian society. An atmosphere of distrust and confrontation develops as the film makes this divide apparent.
Friday 3rd December, 6.30pm
Duke of York’s Picturehouse

Dir: Sofia Coppola. Michella Monaghan, Elle Fanning, Stephen Dorff. US 2010. 98mins
Winner of the Golden Lion at this year’s Venice Film Festival.
Sofia Coppola’s latest film examines the empty life of a film star Johnny Marco (Stephen Dorff) holed up in an LA hotel. Bored and pampered his life revolves around girls, booze, pills and parties.
When his ex-wife heads off on a trip she leaves their 11 year-old daughter Cleo (Elle Fanning) with Johnny. They hang out together and enjoy each other’s company. Instead of having a regular father-daughter relationship – he has no idea her ice-skating prowess is because she has been practicing for three years – they are really children together. Johnny takes her with him on a trip to Italy to promote his latest movie; the notion of fame, press conferences and idiotic PR is neatly lampooned throughout, clearly a world something Sofia Coppola is more than familiar with.
With a similarly melancholic tone carrying echoes of LOST IN TRANSLATION, SOMEWHERE is funny and perceptive throughout but the relationship between Johnny and Cleo is the tender heart of the film, the easy companionship of the two gently moving.
Friday 3rd December, 7.00pm
Sallis Benney Theatre

Dir: Pablo Stoll. Uruguay / Colombia / Argentina / Spain 2009. 79mins
A festival award winner HIROSHIMA is the debut solo feature from Uruguayan, Pablo Stoll. The film is dedicated to Juan Pablo Rebella with whom he made the widely praised WHISKY in 2004, which won an array of prestigious awards before Rebella’s untimely death in 2006.
Described as both a hyper-realist and surrealist slacker film, Stoll follows his brother, Juan over 24 hours as he meanders through his day to day liftestyle. After his night shift in a bakery and subsequent late start to the day, he encounters friends as he cycles around always listening to music on his discman and locked in his own world. The soundtrack weaves through post-punk, grunge and techno and is both Juan’s form of expression and connection to the outside world; muted interactions between the characters appear in the form of intertitles as in a classic silent film. HIROSHIMA is a beautifully shot film that develops a hypnotic, ruminating perspective on experience and communication.
Saturday 4th December, 6.30pm
Duke of York’s Picturehouse

Dir: Luc Besson. Starring Louise Bourgoin, Mathieu Amalric. France 2010. 105mins. French with English Subtitles
A glorious romp through 1910s Paris in this big screen comic book adaptation from French action-auteur Luc Besson (LEON, FIFTH ELEMENT).
Based on Jacques Tardi’s much loved comic books, Louise Bourgoin stars as the beautiful novelist whose fantastical and mystical globe-trotting adventures involve Egyptian mummies, bucktoothed baddies and a giant flying dinosaur wreaking havoc on Paris. An Indiana Jones type heroine of the Belle Epoque this is perhaps the kind of strong female lead one would expect from the director of NIKITA.
Colourful, boldly imaginative and a lot of silly fun THE EXTRAORDINARY ADVENTURES of ADELE … is a visual delight.
Saturday 4th December, 7.00pm
Sallis Benney Theatre

Director: Mark Donne. UK 2010. 68mins
A haunting and poignant elegy to a rapidly disappearing way of life, THE RIME OF THE MODERN MARINER is a documentary which looks at the last remnants of Britain’s shipping industry and the changing relationship between the nation state and the sea.
Narrated by Carl Barat of The Libertines and with a score from Anthony Rossomando of The Klaxons it features moving testimonies from the last remaining dockers of London’s East End, as well as from the captains and crew of one of the few remaining British cargo vessels. Questioning the wisdom of “putting profit before people” we see that it is more than an industry that is being lost as a consequence of London’s transformation from a bustling sea port into a financial capital: but a culture and a way of life. A similar sense of loss is felt on the sea, as the availability of cheap labour from East Asia threatens the future of British-run cargo ships altogether. Ultimately, the film serves as a moving and insightful look at the loss of national identity in the face of global capitalism.
Followed by Q&A with director Mark Donne and Anthony Rossomando.
Sunday 5th December, 6.30pm
Duke of York’s Picturehouse

Director: Richard Ayoade. Starring: Craig Roberts, Yasmin Paige, Sally Hawkins, Noah Taylor, Paddy Considine. UK 2010. 97mins.
An original and affecting coming-of-age comedy from IT Crowd actor Richard Ayoade, his first feature as director.
Adapted from Joe Dunthorne’s cult 2008 novel about fifteen-year-old Swansea schoolboy Oliver Tate (Craig Roberts). Oliver is obsessed with the idea of losing his virginity, hopefully to Jordana (Yasmin Paige), and is also desperate to save his parents’ (Sally Hawkins and Noah Taylor) faltering marriage. Oliver suspects his mother is having an affair with her old flame, mullet-haired new-age evangelist Graham (Paddy Considine).
In addition to comedy writing and performing Ayoade has directed music videos for a range of bands and the soundtrack features five new songs by Alex Turner of the Arctic Monkeys.
One of the discoveries of the Toronto Film Festival, SUBMARINE is a funny, clever and delightful look at the trials and tribulations of adolescence.
Thurs 26 Nov
Duke of Yorks Picturehouse 9.00am
The COSMAT conference 2009 features the distinctive debut feature film by South Coast director Matthew Thompson DUMMY.
Danny escapes his day to day existence with his sick mother by immersing himself in recreational drugs, girls and music. But things change when his mother dies from a possible overdose and he finds himself looking after his younger more introverted brother, Jack. Strong on atmosphere, DUMMY is a psychological drama, with a keen sense of visual style. Thompson,with producer Paula Barnes and actor Thomas Grant , will introduce his work and answer questions from the audiences of Film and Media A-Level students from Sussex schools and colleges. msr@varndean.ac.uk
Fri 27 Nov 9.45am – 4.45pm
Lighthouse
Cost £30 (includes VAT, lunch and complimentary tickets to Mark Lewis private view and ‘in conversation’ event)
To book download a course registration form and return it by Fri 13 Nov to the Independent Cinema Office.
www.independentcinemaoffice.org.uk/training-2009-artistsmovingimage-brighton
The course is for programming, marketing and education staff of cinemas, film festivals and film societies who want to start or develop a programme of artists’ film; cross arts venues and organisations who want to integrate their cinema and gallery more comprehensively; Galleries and museums interested in forging links with cinemas; independent curators working with film and video. The course will be led by George Clark, curator, writer and artist, with guest speakers Mike Sperlinger, Assistant Director of LUX, Jamie Wyld, Acting Chief Executive of Lighthouse and co-director and founder of videoclub, and speakers from CINECITY.

Thu 3 Dec 6.30pm
Lighthouse
FREE
From Script to Screen – Understanding The Market
Are you a writer, producer or director with a film project you want to get off the ground?
Lighthouse presents an exclusive opportunity to hear industry experts give their best insights on how to negotiate the balance between the creative aspects and business considerations of filmmaking. Hear their thoughts on what’s hot and what’s not, ways to up the pulling power of your project, the F word… finance – where to find it and how to access it, approaching sales agents and distributors, the best routes to market and a road map to get you there, the do’s and don’ts of schmoozing and top tips on how to increase your chances of success in a high risk industry.
Chaired by David Castro of Screen South, confirmed guests so far are:
Dan MacRae (Head of Development, Optimum Releasing)
Now at Optimum Releasing, Dan was previously a Development Executive at Working Title Films and prior to that, was deputy Head of the Development Fund at the UK Film Council. In the distant past he worked across a range of activities in Scotland from repertory cinema programming to running a host of screenwriter and producer training events.
Nicky Bentham (Producer, TAKING LIBERTIES, MOON)
Nicky Bentham (formerly Moss) is an accomplished Producer with success in feature films, documentary and commercials. Most recently Nicky co-produced MOON, a sci-fi thriller starring Sam Rockwell and Kevin Spacey. It premiered at Sundance in January 2009, has since been released internationally by Sony and enjoyed critical and commercial success. Prior to that Nicky produced the BAFTA nominated feature documentary TAKING LIBERTIES, which examined the erosion of liberties under the guise of the war on terror.
For more information about the event and panellists please visit: http://www.lighthouse.org.uk/whatson/scripttoscreen.htm
This event has been enabled by Screen South and the RIFE lottery funding programme.
Sat 5 Dec 10am – 6pm
Lighthouse
Entry: £20/£17 concs.
Tickets Available from Lighthouse
This is an exciting opportunity to take part in an exclusive hands-on workshop led by experienced commercials producers during which participants will be given a brief and work in teams to develop and pitch the perfect animated ad campaign.
For more information about the event please visit: www.lighthouse.org.uk/whatson/passionateaboutanimation.htm
This event has been enabled by Screen South and the RIFE lottery funding programme.
FREE
Sun 22 Nov 4.00pm
Sallis Benney Theatre
Landscape is experienced as a spatial encounter with specific places, journeying across distance and memory, custom and industry, on land, on water and through the air. Thirteen short works by contemporary artists evoke their encounters with landscape.
Programme duration : 65 min
Wiliam Raban Civil Disobedience UK, 2004, 3 min
Warwick Thornton & Daren Dale Country Song Australia, 2007, 2 min
Tony Hil Downside Up UK, 1985, 7:24 min extract
Lyndal Jones Noel Australia, 2008, 2 min extract
Emily Richardson Petrolia UK, 2004, 7 min extract
Andrew Kötting Jaunt UK, 1995, 6 min
Jef Doring Mandu Australia, 1983- 2008, 10 min extract
Alan Gidy You Australia 2005 4 min extract
Dryden Goodwin Flight UK, 2005, 5 min
Catherine Elwes Pam’s War UK, 2008, 5 min
Dalziel + Sculion Another Place UK, 2000, 4 min extract
Simon Holington & Kypros Kyprianou CCTV Monitor 1 UK, 2003, 3:30 min
Matthew Murdoch Being There UK, 2006, 2 min
FREE
Sun 22 Nov 5.30pm
Sallis Benney Theatre
The political, cultural and representational engagement with place and being on the land are simultaneously unpacked, celebrated and imaginatively reinvigorated. These are sites of identity and anonymity, named and claimed, scattered with the markers of ownership and the history of humanity in the environment.
Programme duration: 60 mins
Vernon Ah Kee Cant Chant (Wegrewhere) Australia, 2007, 10 min
Ann Donely , Political Landscape, UK, 2007, 7 min extract
Dominic Redfern Heat Australia, 2007, 5 min
Eugenia Lim Young American Australia, 2005, 4 min
David Pery Interior with Views Australia 1975, 5 min
Merilyn Fairskye Conected, Australia, 2003, 10 min
Brendan Lee Proving Ground Australia, 2007, 4 min extract
Genevieve Staines Ruins in Reverse Australia, 2005, 5 min
Dan Shipsides Coir’ a’ Ghrunda 360 UK, 2007, 2 min
Anna Cady Farms of Innocence UK, 2007, 2 min
Hugh Wat Blacklaw UK, 2007, 5 min
FREE
Sat 28 Nov 1.30pm
Sallis Benney Theatre
This programme explores the ambiance of place as it resonates from the broad scope of the horizon to the intimacy of the closely observed. Out there the figure in the landscape is a rare sight, the image of the place is to be constructed from memory, from the image of materials to hand or construed from the abstract sensation of movement.
Programme duration: 70 mins
Nick Colins Tidemils UK 2002, 10 min
Sofia Dahlgren Winter Light UK, 2005, 4 min
Shaun Gladwel, Approach to Mundi Mundi Australia, 2007, 8: 37 min
David Mackenzie Where the Crow Flies Backwards , Australia, 2006, 6:50 min
Jo Milet, Suroundings: Tres, UK, 2007, 3 min
Steven Bal, The Ground, The Sky and the Island, UK, 2008, 7:45 min
Sandra Landolt , Push, Australia, 2007, 4:30 extract
John Conomos, Lake George (after Mark Rothko), Australia, 2008, 7 min extract
Mike Marshal, Days Like These, UK, 2003, 5 min
Scot Morison, Ocean Echoes, Australia, 2007, 9 min
FREE
Sat 28 Nov 3.00pm
Sallis Benney Theatre

UK Co-Curator of Figuring Landscapes Catherine Elwes, chairs a special panel discussion with a selection of featured artists including Matt Hulse, Nick Collins and Semiconductor.
FREE
Sat 28 Nov 4.30pm
Sallis Benney Theatre
Figures in the landscape: polymorphous, animal, vegetable, mineral, visible or invisible. Enacted within the specificity of environment, human presence writes and performs the landscape as much as the landscape inscribes and enacts human presence.
Programme duration: 70 mins
Margaret Tait, Portrait of Ga, UK, 1952, 4 min
David Theobald, Greensleves, UK, 2007, 5 min
John Gilies, Divide, Australia, 2005, 10 min extract
Tammy Honey, iBeach, Australia, 2007, 4 min
Ben Rivers, The Coming Race, UK, 2006, 5 min
Sarah Dobai, Netlecombe, UK, 2007, 7 min
Bronwyn Platten, Meeting Nude Woman Walking on Balls, Australia, 2006, 4 min extract
Hobart Hughes, Removed, Australia, 2005, 6 min
George Barber, River Sky, UK, 2002, 6 min
Roz Cran, Stone, UK, 2008, 4 min
Sergio Cruz, Animalz, UK, 2006, 4 min
Patricia Picinini, Sandman, Australia, 2002, 4:10 min
Matt Hulse, Sine Die, UK, 1994, 4 min
FREE
Sun 29 Nov 4.00pm
Sallis Benney Theatre
Anti-terain Landscape is shaped by our relationship to it. Custodianship of the land and its efficacy transcends a human lifetime; the physical shape of the environment and its cultural and imaginative formation will always be political.
Programe duration : 65 mins
John Hughes & Peter Kenedy, On Sacred Land, Australia, 1983, 6 min extract
Semiconductor, All the Time in the World, UK, 2005, 5 min
Esther Johnson, Hinterland, UK, 2002, 10 min version
Mike Latto, 311, UK, 2007, 10 min Peter Callas,
Night’s High Noon: An Anti-Terrain, Australia, 1988, 7:26 min
Destiny Deacon, Over d-fence, Australia, 2004, 7 min
Daniel Crooks, Static no 10 (falling as a means of rising), Australia, 2007, 7:55 min
Susan Norrie & David Mackenzie, Twilight, Australia, 2006, 9:33 min
Sun 29 Nov 6.00pm
Duke of York’s Picturehouse
DIRECTOR Serge Bromberg, Ruxandra Medrea. France 2009. 100mins. French With English Subtitles

In 1964 legendary director Henri-Georges Clouzot, dubbed the ‘French Hitchcock’ for his hugely successful 50s thrillers THE WAGES OF FEAR and LES DIABOLIQUES, began work on his cherished project, INFERNO. Starring Romy Schneider and Serge Reggiani in a study of jealousy and madness, Clouzot was determined to push the boundaries of cinema. With an unlimited budget and influenced by some of the kaleidoscopic imagery he had recently seen in art galleries, Clouzot began shooting a mass of material: gorgeous monochrome location footage and stunning hallucinatory studio tests, before the production was shut down after 3 weeks. Directors Bromberg and Medrea have pieced together the long lost footage and with interviews and read-throughs of key scenes, have fashioned an intriguing and visually rich documentary about one of the great lost films.
Mon 30 Nov 6.15pm
Sallis Benney Theatre
FREE

Film historian and broadcaster Ian Christie explores some of the films that Michael Powell, David Lean and Terry Gilliam, among others, didn’t manage to make, and asks how these might have changed our image of these directors. All film-makers sufferfrom cherished projects failing to get made, after many months or years have been spent preparing them. Would they have been masterpieces – or were some perhaps better not made? And how much can we know about them? Ian Christie has published many books on Michael Powell, Gilliam on Gilliam and, most recently, The Art of Film: John Box and Production Design.
Sat 21 Nov 6.00pm
Lighthouse
£5.00/£4.00 concessions
Tickets available from Lighthouse
Based in New York, Jem Cohen’s work straddles documentary, artists’ film and the essay or diary film and is at once lyrical and poetic, compassionate yet incisive. This double programme of his city films is accompanied by a Q&A between Jem and writer Gareth Evans.
Presented in association with AURORA.

INVISIBLE CITIES I
Italian city-portraits Programme 74 mins
BLOOD ORANGE SKY
DIRECTOR: Jem Cohen. USA 1999. 26mins
A portrait of Catania, Sicily; the ocean at 5 a.m., the fish market, the distributor of pornographic films, the woodworker, the elephant statue, housing projects, and a young girl in an orange sweater. Catania is a large and remarkable city without many tourists or tourist attractions. Its people live in the shadow of Mt. Etna, an active volcano. Original soundtrack music by Mark Linkous of the band Sparklehorse.
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AMBER CITY
DIRECTOR: Jem Cohen. USA 1999. 48mins
A portrait of an unnamed city in Italy. Using a voiceover narration that collages direct observation, literary texts, historical fact, local folklore, and a bit of sheer fabrication, it melds documentary and narrative, past and present. Visuals range from verité street footage, to formal portraits of residents, to an unusual type of time lapse cinematography that allows filming in the low-intensity light of night landscapes and museum interiors. Made in collaboration with local residents and institutions, AMBER CITY reflects on the “in-betweeness” of places whose historical and geographical location renders their reality strangely invisible.
STREETSONGS: NEW YORK NOTESBOOKS
Programme 72 mins
LONG FOR THE CITY
DIRECTOR: Jem Cohen. 2008 9mins
Patti Smith’s New York.
NYC WEIGHTS AND MEASURES
DIRECTOR: Jem Cohen. USA 2006. 6mins
“My film is a simple gathering of New York City street footage. It was shot with a spring-wound 16mm Bolex on, above, and below the streets of Manhattan and Brooklyn and includes footage of the ticker tape parade for astronaut John Glenn… Due to supposed “national security concerns,” recent prohibitions are restricting what can be filmed in New York and other locales. While shooting from a train window in 2005, my film was confiscated and turned over to the Joint Terrorism Task Force and the F.B.I. This piece, which once might have been seen as strictly “lyrical,” is now also a reflection on these issues.” —Jem Cohen
LITTLE FLAGS
DIRECTOR: Jem Cohen. USA 2000. 6mins
ONE BRIGHT DAY
DIRECTOR: Jem Cohen. USA 2009. 17mins
A drunkard swears at Madison Square Garden: war, abandonment, past splendour.
LOST BOOK FOUND
DIRECTOR: Jem Cohen. USA 1996. 37mins
Documentary street footage organised into a meditation on city life. Over five years worth of collected images are used to evoke a mysterious notebook filled with obsessive listings of places, objects and incidents. These listings serve as the key to a hidden city, a city of unconsidered geographies and layered artifacts – the relics of low level capitalism and the debris of countless forgotten narratives. Influenced by the work of Walter Benjamin as well as Cohen’s first job, selling Italian ices on Canal Street.
Sun 22 Nov 7.15 & 8.15
Embassy Court
FREE
Circus Kinetica Studios in the basement of Embassy Court open from 12 noon.
A special open-air screening in the courtyard of the art deco Embassy Court on Hove seafront, a programme of artists’ film and video gives an insight into the work of kinetic sculptors past and present.
PAST: With large scale retrospectives of kinetic sculpture at London`s Hayward Gallery in 1970 and 2000, this area of visual art continues to capture the imagination. Kinetic sculpture is often an audio-visual medium incorporating motion along with acoustic or electronic sound, through the harnessing of energy.
PRESENT: Artist Stephen Cornford, who recently exhibited at Brighton`s Permanent Gallery, screens a film based on his record player turntable pieces, and Ian Helliwell will screen a video featuring his light and sound machine – The Megatherm. Plus the premiere of a super 8 short based on the wind and solar powered sculptures of Circus Kinetica.
LUTZ BECKER: KINETICS, THE RECORD OF AN EXHIBITION (1970, 14`)
DIRK WALES: THE KINETIC SCULPTURE OF GORDON BARLOW (1972, 7`)
STEPHEN CORNFORD: WORKS FOR A TURNTABLE (2009, 4`)
IAN HELLIWELL: MUSIC, MOVIES & MACHINES (2008, 6`)
THE MOTION CONTROLLERS (2009, 5.5`)
www.ianhelliwell.co.uk
www.circuskinetica.com
www.scrawn.co.uk
Wed 25 Nov 7.00pm
Sallis Benney Theatre

I KNOW WHERE I’M GOING
DIRECTOR: Ben Rivers. UK 2009. 29mins. 16mm
An off the beaten track road movie to the Isle Of Mull. Shot in 16mm anamorphic, the widescreen cinematography captures striking panoramic views of the landscape as Ben Rivers encounters beekeepers and forest clearers and revisits subjects from previous films. His first stop is with Jan Zalasiewicz, a geologist trying to imagine the Earth in one-hundred million years. “Powell and Pressburger’s heroine in their magical I KNOW WHERE I’M GOING knows exactly where she’s going …I decided to follow her lead and make my destination the same as hers, but with every intention of getting lost, following false leads, and trusting in the laws of serendipity, while winding my way through an almost abandoned, devastated Britain, to the Isle of Mull.”
MACHINE ON BLACK GROUND
DIRECTOR: Graham Ellard & Stephen Johnstone. UK 2009. 15 mins. 16mm.
Combining archive material and original footage to suggest both the construction of a utopian building and the world viewed from some kind of imagined subterranean space or vantage point. The film switches from the poetic style of late post-war architectural documentary, via BBC coverage of Tangerine Dream live at Coventry Cathedral, to extended, immersive sequences of abstract stained glass.
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PROPOSAL, FOR AN UNMADE FILM (SET IN THE FUTURE)
DIRECTOR: Graham Ellard & Stephen Johnstone. UK 2007. 21mins. 16mm.
Shot on the island of Lanzarote PROPOSAL…weaves together the extraordinary, shattered, volcanic landscape of the Timonfaya National Park and the ‘retro-futuristic’ utopian architecture of artist César Manrique. The film implies that it is assembled from ‘location recce’ and audition footage; the by-product of a pre-production process for a low budget science fiction film/architectural documentary, developed this far, abandoned, and only later discovered in an archive.
Thu 26 Nov 8.00
Sallis Benney Theatre
DIRECTOR: John Rogers. UK 2009. 45mins
London writers and cultural commentators Will Self, Iain Sinclair and Russell Brand explore the importance of the liminal spaces at the city’s fringe, its Edgelands, through the work of enigmatic and downright eccentric writer and researcher Nick Papadimitriou – a man whose life is dedicated to exploring and archiving areas beyond the high street and the retail park. At Wormwood Scrubs, Nick remembers his time inside where he befriended the notorious serial killer Denis Nilsen. He walks the Grand Union Canal with his friend of 23 years, Will Self, as they head out towards Heathrow and he takes us inside his archive, Deep Library, consisting of found objects, journals, maps and photos salvaged from abandoned houses and suburban skips. “The cinema of John Rogers is like a combination of…the physicality of Kötting with the Deep Topography of Keiller.” - Iain Sinclair
Q&A: Followed by Q&A with director John Rogers and Nick Papadimitriou
Sun 6 Dec 12.00pm
Sallis Benney Theatre
45 mins.

13 young people spent the Summer working alongside Brighton and Hove Youth Offending Team and local artists to create a film, BAD ENDS. The film shines a spotlight on aspects of the group’s everyday lives and created a platform to explore scenarios and dilemmas with a public audience. The project created a safe space for group members to try something new and explore and develop untapped talent and future potential. The group acted directed and produced the film and created the soundtrack. Each member brought a different gift to the process and had great fun whilst producing a dark and at times comic slice of underground life.
Sun 6 Dec 1.00pm
Sallis Benney Theatre
A selection of short documentary films made by Brighton film-makers.
Programme Approx: 60 mins

THE STORY OF THREE STOREYS (25mins)
Director: Tim Day
ON STONY GROUND (9 mins)
Director: Rehana Rose Khan
SHAME (5 mins)
Director: Ian McDonald.
ALLOTMENT (3 mins)
Directors: Vicky Matthews & George Ravenscroft – The Garden Films
MY BODY SANG, TOO (16 mins)
Director: Barbara Myers and Paul Loman
Sun 6 Dec 2.00pm
Sallis Benney Theatre

STREET FOOD KOLKATA
Director: Angus Denoon. 73 mins
A look into the belly of the shack set ups and snack get ups of the mighty city of kolkata- were against the odds, in a land of miracles, the theatre of the constant kitchens assault your senses from every direction with mind altering taste experiences.
+ OUT OF OUR HANDS
Director: Ian McDonald. 9 mins
Sun 6 Dec 3.45pm
Sallis Benney Theatre
Director: Paul Cotter. 84 mins.

A young man reluctantly accompanies his parents on a trip to Germany so that his father can come to terms with his past role in WWII, and in doing so he learns to face up to his own future. A quirky comedy drama.
Sun 6 Dec 5.30pm
Sallis Benney Theatre
Comedy, Drama and Animation
Programme Approx: 80 mins

FOUR EYES
Directors: Andrew Jezard and Lauren Pridmore – Kneejerk Film
A PICTURE SAYS A THOUSAND WORDS
Director: Terence Drew
LEAF POWER
Director: David Packer
OFF SEASON
Director: Deena Lombardi
PICTURESQUE
Director: David Packer
EASY HOURS
Directors: George Ravenscroft and Victoria Matthews (The Garden Films)
MIKE MELODY AND URI GELLAR ARGUE OVER THE VALUE OF A SPOON
Director: Victoria Melody
FOOTIE FAIL
Director: David Packer
EXTRAPOLATIVE IMPRESSION
Directors: Nathalie Boobis and Anna Smith
ALL DAY BREAKFAST
Director: Julian Kerridge
FILM NOIRS
Director: Clara Garcia Fraile
CAT BOX
Director: David Packer
BANK HOLIDAY
Directors: Gavin Peacock & Brian McClave
GORILLA MY HEART
Director: Brian Mayfield
Sun 6 Dec 7.00pm
Sallis Benney Theatre
A diverse programme of artists’ short films, digital adventures and documentary.
Programme Running Time: 73 mins
YOUR ORDER NUMBER
Director: Phil Taylor
MNEME
Director: Ben Marshall
MOEBIUS
Director: Claudia Kappenberg
DEPTH WISH
Director: Kim L Pace
CHAMPION TYPIST
Director: Jorge Mena
GONE, BUT NOT FORGOTTEN
Director: Laura Seymour.
AERIAL
Director: Victoria Melody
THE SMELL OF ORANGES
Director: Anna O’Neill
INITIATION OF A CITY DWELLER
Director: Lenka Ivancikova
STELARC – THE MAN WITH THREE EARS
Director: Nic Ahlmark
Thu 19 Nov 6.30pm
Duke of York’s Picturehouse
DIRECTOR: Jean-Piere Jeunet.
STARRING: Dany Boon, Andre Dusolier, Jean-Piere Mariele. France 2009. 102 mins. French with English subtitles.

The latest unforgettable slice of impossibly quirky life from Jean-Pierre Jeunet (AMELIE), is as charming and as visually dazzling as ever. MICMACS is a thrilling comedy centred around a group of misfits’ plan to bring down two big arms manufacturers. The group is led by Bazil, a man down on his luck following an accident that has left a bullet lodged in his brain and a good chance that he will die at any moment. The story of Bazil’s revenge is populated by Jeunet’s trade-mark characters with their unique foibles and abilities, including the young Calculette who can immediately estimate weights, distances and speeds; and an inventor whose junk yard creations are put to bizarre use in the plan. Jeunet continues to beendlessly inventive in his story telling, and MICMACS is a perfect balance of visual feast, edge-of-the-seat plot and witty wordplay.
Sun 6 Dec 6.30pm
Duke of York’s Picturehouse
DIRECTOR: Jacques Audiard.
STARRING: Tahar Rahim, Neils Arestrup, Adel Bencherif, Hichem Yacoubi, Reda Kateb. France 2009. 150 mins.

Director of THE BEAT THAT MY HEART SKIPPED, Jacques Audiard’s new feature film A PROPHET captivated audiences at Cannes and seized the Grand Prize with its raw and poetic aesthetic. Ferocious and compassionate, A PROPHET follows the descent of a young man into the hierarchies of the criminal underworld. Sentenced to 6 years in prison, nineteen-yearold French-Arab Malik El Djebena (Tarik Rahim) is approached by a Corsican gang and subsequently forced to adapt to the vicious rules of the clashing power factions within the prison. The violence, choreographed with the cooperation of ex-convicts, crashes to life with sharp authenticity. Initially a lamb tothe slaughter in this warren of crime, newcomer Rahim is outstanding as Malik, bringing a vulnerability to the rough social realism he faces and his need to survive in the system.
Fri 20 Nov 11.15pm
Duke of York’s Picturehouse
DIRECTOR: Jim Jarmusch.
STARRING: Isaach De Bankole, Tilda Swinton, Bill Murray, John Hurt, Gael Garcia Bernal. USA. 116 mins.

Jim Jarmusch’s (STRANGER THAN PARADISE, BROKEN FLOWERS) THE LIMITS OF CONTROL is a mesmerizing and typically idiosyncratic crime thriller. Isaach De Bankolé is the archetypal Lone Man on a mysterious mission that commences with a meeting in the Charles de Gaulle airport. Over in Spain, he travels from Madrid to Seville, encountering a peculiar succession of contacts (including Tilda Swinton as the movie lover ‘Blonde’) and listens out for codes in their loaded words. He exchanges matchboxes with these eccentric individuals, consuming them after reading their cryptic content. He waits in museums, absorbing pieces of art that seem to re-emerge in different forms in later scenes.The powerful mood of Christopher Doyle’s (IN THE MOOD FOR LOVE) cinematography radiates from the hypnotic rhythm and vibrantly beautiful colours. Quite possibly Jarmusch’s most enigmatic film to date, THE LIMITS OF CONTROL is a feast of striking imagery and a philosophical rumination of art and its role in perception.
Sat 21 Nov 6.30pm
Duke of York’s Picturehouse
DIRECTOR: Gerardo Naranjo.
STARRING: Juan Pablo de Santiago, Maria Deschamps, Daniel Gimenez Cacho, Pedro Gonzalez, Martha Claudia Moreno, Rebecca Jones. Mexico 2009. 106 mins. Spanish with English Subtitles.

Winner of a host of awards, Gerardo Naranjo’s I’M GONNA EXPLODE erupts from the legacy of partner in crime films and the French New Wave. Bearing traces of Godard’s PIERROT LE FOU and crime classics BADLANDS and BONNIE AND CLYDE, I’M GONNA EXPLODE unfolds with the sensory cinematography that has emerged in Mexican cinema with directors such as Alejandro González Inarritu. The story follows Maru (Maria Deschamps) and Roman (Juan Pablo de Santiago), two disaffected teenagers who meet and fall in love after Roman is expelled from his privileged education and performs a fake suicide stunt in the assembly of his new school. Finding themselves in detention together, Maru and Roman hit it off and hatch a plan; Roman fakes the abduction of Maru and they hide out from society on the roof of his father’s house, while their parents combine efforts to find them. Naranjo’s visceral style is infused with the energy of recent Mexican cinema, as Roman’s fatalistic urges drive them closer to destruction.
Sun 22 Nov 6.30pm
The Duke of York’s Picturehouse
DIRECTOR: Michael Hofman.
STARRING: Helen Miren, Christopher Plummer, James Mcavoy, Paul Giamatti, Anne-Marie Duff, Kery Condon. UK / Russia / Germany 2009. 110 mins.

THE LAST STATION is a love story set during the last year of the life and turbulent marriage of the great Russian writer Leo Tolstoy (Christopher Plummer) and his wife the Countess Sofya (Helen Mirren). Tolstoy, having rejected his title and embraced an ascetic life style, finds himself increasingly at odds with Sofya. As his devoted disciple Vladimir Chertkov urges him to sign a new will leaving the rights to his work to the Russian people rather than his family, the conflict between husband and wife grows to breaking point. The whole affair is witnessed by Tolstoy’s new secretary, Valentin Bulgakov (James McAvoy), whose burgeoning love for the beautiful and feisty Masha is set against the waning love of Tolstoy and Sofya. The accomplished cast give weight to this sumptuously designed period drama from the director of RESTORATION.
Sun 22 Nov 7pm
Sallis Benney Theatre
DIRECTOR: Kirby Dick.
WITH: Tony Kushner, Barney Frank, Lary Kramer. USA 2009. 90 mins.

Acclaimed documentary film-maker Kirby Dick (THIS FILM IS NOT YET RATED) delves into the secret lives of America’s senators and governors, exposing the hypocrisy of closeted gay politicians. Beginning with Idaho’s senator Larry Craig, whose bathroom advances toward a policeman got him arrested in an airport, he builds up a file of instances; Virginia Congressman Ed Shrock’s resignation after the emergence of his gay-sex line calls; New Jersey Governor James McGreevey’s departure from office after he confessed to an affair with a male member of staff. Dick connects the corruption that seeps through politics with the damage of self-denial; what emerges is a bruised sense of disappointment that these men in such positions of power behave with such a lack of honesty, perpetuate notions of ‘shame’ and prevent progression for gay rights. No rock is left unturned in this rapidfire finger-pointing and outing as Dick investigates how the self-denial of a public representative can help to fuel the cycle of repression in a culture that, by now, should be at an age of equality.
Mon 23 Nov 6.30pm
Duke of York’s Picturehouse
DIRECTOR: Lynn Shelton.
STARRING: Mark Duplass. Joshua Leonard, Alycia Delmore, Lynn Shelton, Trina Willard. USA 2009. 94 mins.

Stumbling out of the ‘bromance’ humour of Judd Apatow into the more subtle and dry plains of mumblecore, HUMPDAY is the intelligent, very funny new feature written and directed by Lynn Shelton. Ben (Mark Duplass) has settled into a safe suburban life in Seattle with his wife when his old college friend Andrew (Joshua Leonard) shows up on his doorstep and rapidly leads him back into the high-fiving, one upmanship existence they once shared. Andrew takes him to a ‘Dionysian’ party where they hear about an amateur porn film festival. After racking their brains for the most radical, arty idea, they plan to film themselves having sex with one another, believing that as a reflection of their hetero sense of selves, it would be beyond gay. In the cold reality of the next day, they awkwardly face the challenge of upholding their revolutionary plan and the implications that it may pose for their friendship. Winner of the Special Jury Prize this year at Sundance, HUMPDAY is a wise, witty and empathetic film that explores the nature of life’s expectations and relationships.
Mon 23 Nov 8.00pm
Sallis Benney Theatre
DIRECTOR: Michael Whyte. UK 2009. 100 mins.

After 10 years of persistence and dedication, Michael Whyte was finally granted access to film in the Monastery of the Most Holy Trinity in Notting Hill, home to Carmelite nuns. With echoes of INTO GREAT SILENCE, the lives of these women cut off from the chaos of the outside world, are not entirely serenely spiritual. Their work is practical and bustling with daily chores that maintain the Monastery; cooking, cleaning, gardening, making clothes and with a twist of modernity, they use the internet to order their weekly shop. Whyte’s choice to forgo voice over narration amplifies the film’s silences and background noise seems strangely loud. Aside from the hymns there is little talking, only one hour in the morning and another in the evening set aside for socializing and Whyte himself only speaks when he is spoken to and keeps a respectful distance. The film is balanced between the footage of the daily rituals and moments with individual nuns; while some admit the experience of isolation to be an immense personal challenge, there is also a great resource of humour and energy.
Q&A: Followed by Q&A with director Michael Whyte.
Tue 24 Nov 6.30pm
Duke of York’s Picturehouse
DIRECTORS: Scandar Copti, Yaron Shani.
STARRING: Fouad Habash, Nisrine Rihan, Elias Saba, Youssef Sahwani, Shahir Kabaha, Abu George Shibli. Israel 2009. 120 mins. Hebrew / Arabic with English Subtitles.

AJAMI is a fast paced and powerful slice of Middle Eastern life in the neigbourhood of Jaffa. The first time directors, one Arab and one Jewish, worked with local non-actors to lend a raw authenticity to the film as the narrative weaves through relationships bound up in a climate of desperate, brutal violence, poverty and hostile intolerance between communities, which progressively lock into a tragic knot. The stories overlap into one another, gathering force as the characters clamber for a way out of their oppressive and claustrophobic circumstances.
Tue 24 Nov 8.00pm
Sallis Benney Theatre
DIRECTOR: Olivier Bohler.
WITH: Volker Schlöndorff, Bertrand Tavernier, Masahiro Kobayashi, Rémy Grumbach. France 2008. 76 mins. French with English subtitles.

Jean-Pierre Melville’s independent and original approach to film-making on titles such as Bob Le Flambeur, Le Doulos, and Le Samourai earned him the reputation of the father, or at least the precursor, of the French New Wave. However, what is less known is that Melville spent eight years of his life between 1937 and 1945 as a soldier in the French army and then the Free French Forces, which he joined after the French defeat the Germans. Having escaped through the South of France to Spain, he became a member of the Resistance and took on the code name of Melville (after Herman Melville, the writer he most admired). He used the name for the rest of his life. This fascinating documentary examines how Melville’s life experience impacted on his choice of projects, his aesthetics and his working methods in the world of film. Real insight is gained through interviews with surviving family members, and his work is examined by those who worked closely with him including Volker Schlondorff (TIN DRUM) and Bertrand Tavernier (ROUND MIDNIGHT).
Q&A: Followed by Q&A with director Olivier Bohler
Wed 25 Nov 6.15pm
Duke of York’s Picturehouse
DIRECTOR: John Hillcoat.
STARRING: Viggo Mortensen, Kodi Smit-McPhee, Charlize Theron, Guy Pearce. USA 2009. 111mins

Director John Hillcoat’s (THE PROPOSITION) highly anticipated adaptation of Cormac McCarthy’s Pulitzer Prize-winning novel. A father and his son walk alone through a burned-out post-apocalyptic America. Nothing moves in the ravaged landscape save the ash on the wind and water. Grey snow falls and the sky is dark. They head for the coast though they do not know what will await them there. Stripped of possessions they just have a pistol with a single bullet to defend themselves against the lawless cannibalistic bands that stalk the road. Bonded together through a sense of familial love, the two are the last testament to humanity. Viggo Mortensen is excellent as the bedraggled father attempting to keep the notion of civilisation alive against almost hopeless odds, and the young Kodi Smit-Mcphee is a wonderful find as the boy. Nick Cave and Warren Ellis provide the soundtrack.
Q&A: Following the screening John Hillcoat and Nick Cave will take part in a Q&A.
Thu 26 Nov 6.45pm
Duke of York’s Picturehouse
DIRECTOR: Juliette Garcias.
STARRING: Anais Demoustier, Bruno Todeschini, Nade Dieu. France 2009. 90 mins. French with English subtitles.

Nominated for an award at the Rotterdam International Film Festival, Juliette Garcias’ debut directorial feature BE GOOD (SOIS SAGE) twists and tightens as it weaves through the tales and mystery that shroud the protagonist’s deeply hidden secret. Having recently moved to the countryside, young Nathalie (Anaïs Demoustier) takes a job delivering bread, and assumes a new identity calling herself Eve. She gives the locals snippets of her background which vary as she changes her story and spies on a musician living in a mansion with his wife and young child. Nathalie’s dark secret carefully unravels as the truth of her history trickles through in snatches of dialogue and symbolic, dangerous imagery. Garcia directs with steady confidence, setting the suspenseful measured pace for the mystery to unfold while Demoustier’s performance delicately controls the wealth of simmering tension that seeps out. As in the masterful works of Claude Chabrol, the lavish countryside provides relief with its mask of beautiful pastoral innocence; a contrast to the volatile darkness and horror that swells below and sometimes bubbles from beneath Nathalie’s surface.
Fri 27 Nov 6.30pm
Duke of York’s Picturehouse
DIRECTOR: Jordan Scott.
STARRING: Eva Green, Juno Temple, Maria Valverde, Imogen Poots, Ellie Nunn, Adele McCann, Zoe Carroll, Clemmie Dugdale, Sinaed Cusack. UK 2009. 104 mins.

This debut feature from Jordan Scott (Ridley’s daughter) is a tale of adolescent frustration and burgeoning sexuality at a grim 1930s boarding school for girls. At this institution, housed on a fictional island off the coast of Britain, a group of girls develop a deep admiration for their rebellious, sensual diving instructor Miss G (Eva Green) who indoctrinates them with her belief that desire is the most important thing in life. Inspired by her bohemian free-thinking and playfully reckless attitude, they grow close to her, but are upset with the arrival of a new girl; the beautiful, enigmatic Fiamma from Spain. Eva Green is seductively vampy Miss G in this story that possesses a touch of both THE PRIME OF MISS JEAN BRODIE and LORD OF THE FLIES. With fierce tensions simmering beneath the surface, CRACKS is an explosive hotpot of insecurity and jealous battles for attention.
Fri 27 Nov 11.15pm
Duke of York’s Picturehouse
DIRECTOR: Ben Wheatley.
STARRING: Robin Hill, Julia Deakin, David Schaal. UK 89mins.

Winner of best UK feature at recent Raindance Film Festival. DOWN TERRACE is a wonderful blend of very dark humour and kitchen sink realism, and has been described as Mike Leigh directing an IN THE LOOP- esque comedy. Based around a family of petty criminals DOWN TERRACE is shot entirely in Brighton and is the directorial debut from Ben Wheatley, who co-wrote the script with long-time collaborator and star of the film, Robin Hill. Wheatley is known as a comedy writer for TV shows such as Armando Ianucci’s Time Trumpet and DOWN TERRACE features in the cast many recognisable through TV appearances in The Office and Spaced. The performances from the entire ensemble, professional and non-professional alike, are spot on. It probably helps that Karl’s (Robin Hill) father is played by his own real-life dad and his pregnant girlfriend by his real wife but the natural ease between them all adds effectively to the verite style.
Sat 28 Nov 1.30pm
Duke of York’s Picturehouse
DIRECTOR: Hayao Miyazaki.
VOICES: Cate Blanchette, Liam Neeson. Japan 2008. 103 mins.

Winner at the Asian Film Awards and the Venice Film Festival, PONYO is the latest creation from the highly revered Japanese animator, Hayao Miyazaki, director of HOWL’S MOVING CASTLE and SPIRITED AWAY. 5 year-old Sosuke lives in a cliff house by the sea with his mother. He discovers a beautiful goldfish trapped in a bottle and decides to care for her, naming her Ponyo. But Ponyo is in fact the daughter of a sea goddess and powerful wizard, Fujimoto, who practices his magic from a wrecked vessel at the bottom of the sea. Ponyo uses her father’s magic to transform herself into a human, but the magic causes an imbalance in the world and Ponyo’s father sends the waves of the ocean to find his daughter. A magical animation for children and adults alike.
Sat 28 Nov 6.15pm
Duke of York’s Picturehouse
DIRECTOR: Niels Arden Oplev.
STARRING: Michael Nygvist, Naomi Rapace, Lena Endre, Peter Haber, Sven-Bertil Taube. Sweden 2009. 152 mins. Swedish with English Subtitles.

The first screen installment of the best-selling ‘Millenium’ trilogy of novels. Investigative journalist Mikael Blomkvist (Michael Nyqvist) is hired by the elderly industrialist Henrik Vanger to reopen a 40-year-old cold case. At a family gathering on a private island in 1966 his 16-year-old niece mysteriously disappeared; her body was never recovered but Vanger is convinced it was murder and that a member of his family was responsible. Blomqvist is assisted by the feisty, tough computer hacker, Lisbeth Salander (Naomi Rapace), a young woman whose own life is riddled with corrupt figures and a murky past. Together they begin to connect a series of grotesque murders and unravel the appalling darkness that lurks in the Vanger family history. Naomi Rapace gives a powerful and intriguing performance as Salander, preserving the depth of the enigmatic, complex character. With the Hollywood slickness of fast-paced action thrillers, director Niels Arden has crafted an atmospheric, detective story with a distinctive Nordic core.
Sat 28 Nov 8.00pm
Sallis Benney Theatre
DIRECTOR: Esther Rots.
STARRING: Rifka Lodeizen, Wim Opbrouck, Chris Borowski. Netherlands 2009. 94 mins. Dutch with English Subtitles.

Marieke (Rifka Lodeizan) impulsively buys a rundown cottage in the countryside and begins to piece her life back together after she is attacked by a stranger in her own home. Disorientating notions of reality and fantasy emerge as Marieke takes shelter in an online network of fellow victims and plans revenge with a mysterious confidante. As summer approaches, Marieke seems to be regaining her positivity, but internally things are spiraling out of control. Lodeizan’s performance is candid and powerful as the film ruminates over Marieke’s conflicting states of mind and bleak isolation. The seasons and locations provide a vital backdrop to the story as Rots endeavours to express the truth of experience; vividly capturing the sensory force of a hot bath or a blistering cold day with penetrative vision.
Sun 29 Nov 8.00pm
Sallis Benney Theatre
DIRECTOR: Yorgos Lanthimos.
STARRING: Christos Stergioglou, Michelle Valley, Aggeliki Papoulia, Mary Tsoni, Hristos Passalis, Anna Kalaizidou. Greece 2009. 94 mins. Greek with English subtitles.

Winner of the Un Certain Regard prize at Cannes, DOGTOOTH is an absurd, hilarious, discomforting and inventively provocative film from Greek director Yorgos Lanthimos. The film follows the lives of a family whose house on the edge of the city is enclosed by high walls and the only person allowed to leave is the father. While he goes out to work in a factory, the mother stays at home with the son and two daughters, keeping them inside and ‘safe’ from the evils of the outside world. For the children, in their late teens and early twenties, everything beyond the walls of their home is a threat and language has undergone a radical makeover in their years of home schooling (a rifle is a white bird, a zombie is a yellow flower, a highway is a strong wind, cats are the enemy…). Considering his son to have reached an age where his sexual needs should be met, the father brings home Christine, a security guard from his factory, but her interaction with the family soon threatens their insular world. Lanthimos’ film is a startlingly sharp piece of imaginative insanity, as the events instigated by the unhinged parents swing between the weirdly comical and the repulsive.
Mon 30 Nov 6.30pm
Duke of York’s Picturehouse
DIRECTOR: So Yong Kim. STARRING: Soo-ah Lee, Hee-yeon Kim, Song-hee Kim, Mi-hyang Kim, Park Boon Tak. South Korea/ USA 2009. 89 mins. Korean with English Subtitles.

The second feature from Korean-American director So Yong Kim, deservedly picked up an award at the Berlin film festival earlier this year. A child’s-eye-view of the world, at times heartbreakingly sad, at others optimistic; it is reminiscent of some of the best Iranian cinema such as Kirostami’s WHERE IS THE HOUSE OF MY FRIEND and Samira Makhmalbaf’s THE APPLE.
6-year-old Jin and 4-year-old Bin are left in the dubious care of their Aunt when their struggling mother sets off to try to find the girls’ estranged father, telling them she will be back by the time their piggy bank is full. Non-professional actress Hee-Yeon Kim is stirringly solemn as Jin, the older of the two; diligently striving to uphold normality while they anticipate their mother’s return. Delicately paced and thoughtful, TREELESS MOUNTAIN is a haunting and tender exploration of the hope and resilience of little children.
Tue 1 Dec 6.30pm
Duke of York’s Picturehouse
DIRECTOR: Andrew Kötting. STARRING: Jean-Luc Bideau, Jacob Auzanneau, Adelaide Leroux, Aurelia Petit, Xavier Tchili, Capucine Aubriot, Manon Aubriot. France/ UK 2009. 100 mins. French with English subtitles.

Andrew Kötting’s third feature after GALLIVANT and THIS FILTHY EARTH highlights his ability to create the most striking of visual images and here it is melded to a strong narrative that makes for an effective, emotionally charged and haunting film. In the French Pyrenees, teenage Alex (Jacob Auzanneau) shares a close relationship with his older sister Freya . On the eve of her departure to Russia their relationship almost spills over into something more serious but they are caught their overbearing father. Alex is forbidden to set foot on the family land again. Taking this command literally, Alex makes for the rooftops, living in the canopies of forest surrounding the family home. As summer rolls into winter Alex observes the disintegration of his family but is too stubborn to return until the fall out escalates further. Dappled with intriguing segments archive footage from the Screen Archive South East, and an inventive, engaging soundtrack, IVUL is wonderfully offbeat work of great heart and beauty.
Q&A: Director Andrew Kötting will take part in a Q&A following the screening.
Wed 2 Dec 8.00pm
Sallis Benney Theatre
DIRECTOR: Catherine Breillat. STARRING: Daphne Baiwir, Lola Creton, Dominique Thomas. France 2009. 80 mins. French with English subtitles.

Catherine Breillat (A MA SOEUR) has turned to the old fairytale of tyrannous Bluebeard for her new film, focusing on the forces of curiosity that frequently feed into cautionary allegories. In a bourgeois home in the 1950s, young sisters Marie-Anne and Catherine are playing in the attic. They stumble across Bluebeard’s yarn and Catherine proceeds to read it aloud, engrossed by the horror that terrifies her older sister. In the fairytale, teenage sisters Anne and Marie-Catherine, are faced with an offer of marriage from the local Baron Barbe-bleue; a hirsute, robust figure (Dominque Thomas), famed for his barbaric temperament and packing an ominous past of missing wives. Marie-Catherine, the gutsy younger sister, defiantly takes on the challenge but when Blue beard goes away she finds it impossible to resist the temptation of exploring the forbidden room. Beautiful in its morbidly ethereal appearance, this is an intriguing new approach from the director whose provocative, progressive ideas are often shrouded by her notoriety for controversial visual content.
Thu 3 Dec 6.30pm
Duke of York’s Picturehouse
DIRECTOR: Duncan Ward. STARRING: Gillian Anderson, Alan Cumming, Heather Graham, Danny Huston, Christopher Lee, Joanna Lumley, Jaime Winstone, Stellan Skarsgaard. UK 2009. 90mins

Many familiar faces pop up in BOOGIE WOOGIE, Duncan Ward’s satirical and playful jab at the art-dealing world. Adapted by Danny Moynihan from his own novel about the 90s New York art scene, the action is shifted to London with Damian Hirst contributing as art curator for the film, providing pieces to give an authentic feel of the era. The story pivots on a rare Mondrian painting called Boogie Woogie, which is owned by the ailing Alfred Rhinegold (Christopher Lee) and desired by disreputable art dealer Art Spindle (Danny Huston) and prolific collector Bob Macclestone (Stellan Skarsgaard). Although fictitious, certain characters bare striking resemblances to the art set at the time, notably Jaime Winstone’s turn as an artist whose autobiographical art pieces focus on her sexual conquests. In the vein of Robert Altman’s interweaving ensemble films, Ward lightens the web of corruption with tongue-in-cheek humour and caricatures; sending up the bed-hopping and desperation that bring these players of the art world together.
Sat 5 Dec 1.30pm
Duke of York’s Picturehouse
DIRECTOR: O. Nathapon. STARRING: Shahkrit Yamnarm, Sinitta Boonyasak, Krissada Sukosol, Deuntem Salitul, Suchao Pongwilai, Napatkorn Mitr-em. Thailand 2008. 106 mins. Thai with English subtitles.

This imaginative and stylish film by young director O. Nathapon glides through passionate narratives with innovative use of theatrical sets to melt the boundaries of fiction and reality. It is Thailand, 1999 and Pakorn is a theatre director whose boyfriend, Phon, has just left him with the agreement that the continuation of their relationship hinges upon their reunion at a specific place and time in the future. Phon meets Arunya on the train to Chiang-Mai, a middle-aged woman who is looking for Krung, a carnival operator she has not seen since their affair thirty years ago. Pakorn’s play, set in 1972, is about a bride-to-be falling in love with her fiancé’s best man; a love which emerges through a trip to the cinema which their respective partners could not attend. Dreamlike in its development, A MOMENT IN JUNE is a synthesis of theatre and cinema; and a meditation on the precarious footholds of love. Although made in Thailand director O.Nathapon now resident in Brighton.
Sat 5 Dec 6.30pm
Duke of York’s Picturehouse
DIRECTOR: Warwick Thornton. STARRING: Rowan McNamara, Marissa Gibson, Mitjili Napanangka Gibson, Scott Thornton, Matthew Gibson. Australia 2009. Aboriginal and English with English subtitles.

In an Aboriginal community in Alice Springs, teenage Samson starts his day taking drugs and listening to his brother’s band playing outside on a porch. He takes a shine to Delilah, who is initially less than impressed with his advances. She cares for her grandmother, helping her make the painstakingly detailed pieces of art, which she sells for a pittance. After tragedy strikes and Samson and Delilah go on an aimless road trip, stealing a car and eventually continuing on foot, leaving their community behind and facing severe poverty and hostility.
With minimal conversation between the protagonists – played by non-professional actors Rowan McNamara and Marissa Gibson – it is the visuals and eclectic and diverse soundtrack that develop the moods and atmosphere. Winner of The Golden Camera award at Cannes, this is a subtle and compelling film; the beautiful and decaying landscapes blazing under the eye of Thornton’s sumptuous cinematography.
Sun 29 Nov 6.00pm
Sallis Benney Theatre

Mixtapes is an ongoing project of themed film remixes, re-edits of favourite film moments in a search for hidden meanings and the creation of new work. In this screening three new mixtapes will be accompanied by specially commissioned live soundtracks.
‘Noir’ by Buck in Fudgy - Trawling the murky, metropolitan streets of classic 1940s and 1950s Crime drama this mix takes in elements of 100 Film Noirs in 24 minutes. Bent cops, femme fatales, psychotic hoodlums, gumshoe detectives, loaded guns, and whip crack dialogue. All shot on luminous, smoke-filled, monochrome city streets. Accompanied by live music from ‘The Dark Corners’.
‘Road’ by Matt Page- – From souped up Chevys racing across 60s midwest America to extistential musings across post Communist Europe this 24 minute mixtape lifts the hood on the enduring myth of the Road Movie. Live Music by Audio Bunny.
Swimming Pool by CINECITY – A splashdown of images and sounds from the chlorine scented afternoons of film history. A place where characters gather, amidst cocktails, to flirt, frolic, kiss and kill, in speedos, bikinis and birthday suits. Prepare to be dunked.
For playlists and further info: www.mixtapes.org.uk
Tue 1 Dec
Sallis Benney Theatre 8.00pm
FREE
Directors Notes: The What, How & Why of Independent Filmmaking, presents this special package of short films complied for CINECITY.
I Will Smash You – Michael Kimball & Luca Dipiero (7:15)
Stories of people smashing office environments, chairs, TVs, phones, cars and more. You’ve never seen anything like this before.
www.littleburnfilms.com
Jenifer – Stewart Copeland (4:25)
The film-maker explores his relationship with his mother through a recorded conversation between eighth-grade students and astronauts aboard the international space station.
www.gohomefatboy.com
Bathtub – M.A.Y.O. (3:25)
In a bathroom set with diamonds, white cake, and a porcelain claw-foot tub, a beautiful young woman readies for death. She’s hooked up to a machine, which instead of reading her vital signs emits a warning about the extinction of dinosaurs. In the minutes before her death, she practices a ritual to prepare herself for the unknown.
www.mindallyouroutsides.com
Spider – Nash Edgerton (9:00)
It’s all fun and games until someone loses an eye.
www.bluetonguefilms.com
Voltage – Filipe Lyra & William Paiva (4:15)
Just like modular synthesizers, people connect with each other in order to achieve diverse objectives. In Voltage, robots, half-human and half-synthesizer, powered by a huge amount of energy, connect to each other in an electric and chaotic trance.
www.bamstudio.com.br/
Altar – Nathan Bezner (18:00)
A janitor cleans the same filthy toilet every day. As he begins to remove stranger and more bizarre objects from the commode, he discovers there may be more to his situation than he’d initially realized.
www.nightowlpictures.org
Cerrado Al Publico – Poet Zero (6:10)
A police officer and the barriers of understanding – physical and otherwise.
poetzerofilm.com
I Love Sarah Jane – Spencer Susser (14:16)
Ah, young love. The air seems clearer. The sun seems brighter. There’s a spring in the step. Too bad about the zombie apocalypse.
www.bluetonguefilms.com
Wed 2 Dec 6.30pm
Sallis Benney Theatre
FREE

Two programmes of short films by fledgling film-makers; the first from schools and the second from colleges and post graduate film-makers across Brighton and Hove; an exciting range of drama, documentary, dance for the camera and artists’ moving image.

AWARD – Sponsored by the Brighton Film Workshops a winning film-maker will be presented with free film course at the event, to contribute towards the development of their film-making careers.
Sat 5 Dec
Sallis Benney Theatre 8pm



Straight 8 challenges anyone to make a three-minute film on one cartridge of super 8mm film, editing only in-camera. The undeveloped film is returned to straight 8 and the original soundtrack is added. The first time that filmmakers see their films is with a cinema audience.
Straight 8 are returning to cine city for a second time bringing with them the best entries of 2009 from brighton and from the rest of the world- innovative, inspiring, charming and sometimes wonderfully strange. the screening will be introduced by the straight 8 team.
Mon 30 Nov 8.00pm
Sallis Benney Theatre
DIRECTORS: Aaron Aites and Audrey Ewell. With: Varg Vikernes, Fenriz, Hellhammer. USA 2009.

Intrigued by the dark, bloody notoriety of Norwegian Black Metal and its severe, atmospheric sound, filmmakers Aaron Aites and Audrey Ewell journeyed to Norway to interview a handful of renowned figures of the movement – Varg “Count Grishnackh” Vikernes (of the band Burzum), Gylve “Fenriz” Nagell (of Darkthrone) and Jan Axel “Hellhammer” Blomberg, among others. In an effort to escape the commodification of death metal, the creators of black metal were cultivating a brutal, ugly, raw sound that possessed a truth for them they hoped could not be commercialised. However, it soon became associated with the arson of some of Norway’s oldest churches, grave desecration, satanic rituals and shocking violence. In 1993, Varg Vikernes was convicted for church-burning and the murder of his band mate, Øystein Aarseth. The media frenzy and the grizzly speculations inspired escalating waves of violence from other young men around the country – with the Norwegian black metal movement rapidly becoming associated with Satanism, nationalism and Neo-nazis. Now the subject of many artists and photographers, including Harmony Korine, this is a fascinating exploration into the people and ideas behind the anti-social compositions, and violent behaviour.
Fri 4 Dec 6.30pm
Duke of York’s Picturehouse
DIRECTOR: Julien Temple. UK 2009. 106 mins.

Julien Temple’s rock documentary makes the case for the often overlooked but ultimate pub-rock band Dr Feelgood as the pre-cursor of the DIY punk scene that exploded in the late 70s. The ensemble of four guys with guitars and a drum kit turning out short bursts of perfect rock songs was a timely antidote to the lengthy prog-rock anthems of the time, and as such, according to Temple, they were the “John-the-baptists to Johnny Rotten’s anti-Christ’. Featuring some enlightening interviews with Dr Feelgood band members and contemporaries OIL CITY CONFIDENTIAL paints a picture of the band’s inception on Canvey Island and their roots on the ‘Themes Delta’.
Q&A: Director Julien Temple will take part in a Q&A session following the screening of the film.
Sat 21 Nov 1.30pm
Duke of York’s Picturehouse
DIRECTOR: Wojciech Has. Poland 1973. 124 mins. Polish with English subtitles

Jozef travels on a strange, almost ghostly train to visit his ailing father in a sanatorium, which he discovers exists in a microcosm of warped time where his father might actually recover from approaching death. At the crumbling hospital, Jozef is invited to rest and finds himself sliding through the portals of fantasy and the unconscious and exploring the mazes of his own mind to confront the people and experiences who made him. Based on the short story collection by Bruno Schulz and winner of the Special Jury Award at Cannes in 1973, HOUR-GLASS … is a fascinating penetration of the human psyche.
Sun 22 Nov 1.00pm
Duke of York’s Picturehouse
DIRECTOR: Wojciech Has. With Zbigniew Cybulski, Iga Cembrzynska. Poland 1965. 177mins. Polish with English Subtitles.

Martin Scorsese, Francis Ford Coppola and Luis Bunuel have all named Has’ surreal masterpiece as their favourite film; it is certainly one of the most weird and wonderful films ever made. Creating a magical, sometimes disturbing, world of the supernatural it became a counterculture classic and was so beloved by Scorsese and Jerry Garcia of the Grateful Dead, they helped fund its restoration. A kind of ARABIAN NIGHTS set during the Napoleonic wars complete with harems, duels and folkloric beasties, there are all kinds of surreal set-pieces and intriguing stylistic flourishes set against the beautiful soundtrack from Krzysztof Penderecki. “Simultaneously horrific, erotic and funny … this is one mother of a film” DAVID LYNCH
“Simultaneously horrific, erotic and funny … this is one mother of a film” DAVID LYNCH
Sun 29 Nov 11.30am
Duke of York’s Picturehouse
THE NOOSE (Petla)
DIRECTOR: Wojciech Has. Poland 1958. 96 mins. Polish with English subtitles. With Gustav Holoubek, Aleksandra Slaska.

An alcoholic’s last day teems with images of anxiety and Kafkaesque paranoia. Adapted from Marek Hlasko’s novel The First Step in the Clouds, Has’ feature debut is cinematic delirium tremens, as young man Kuba Kowalski escapes his cramped flat to wander from bar to bar through the dark streets of Krakow. The metaphorical noose tightens as Kuba, nearly saved by the love of a good woman, dives deeper into hallucinatory intoxication.
FARE WELLS (Pozegnania)
DIRECTOR: Wojciech Has. Poland 1958. 97 mins. Polish with English subtitles. With tadeus z Janczar, Maria Wachowiak.

When rebellious student Pawel falls in love with cynical dancer Lidka, the mismatched pair find short-lived happiness during a countryside idyll before they are separated by WWII. Pawel spends horrific years in Auschwitz and Lidka marries a richer man through bitterness, yet when they meet again a second happiness together looks possible. Has suffuses FAREWELLS with nostalgia for a lost way of life and the lyricism of love’s long journey.
Sun 6 Dec 11.00am
Duke of York’s Picturehouse
DIRECTOR: Wojciech Has. Poland 1963. 100 mins. Polish with English subtitles. With Bara Kraftowna, Zbigniew Cybulski.

On a plane to Paris in 1963, famous actress Felicja (Bara Krafftówna) recalls the night in 1939 when she was to debut as Ophelia with the man she loved playing Hamlet (the legendary Zbigniew Cybulski). The production is aborted by the start of WWII, and Felicja takes a waitress job to avoid acting on a German stage, giving her lover sanctuary when he is accused of killing a collaborator.
After the war, Wiktor leaves to pursue his own fame, yet when Wiktor and Felicja are reunited years later, the tables have turned….
Sat 28 Nov 6.00pm
Sallis Benney Theatre
FOLLOW THE MASTER
DIRECTOR: Matt Hulse. UK 2009. 75mins
Following the death of his grandfather, Eric aged 96, Matt Hulse sets out on a personal pilgrimage walking the 100-mile South Downs Way accompanied by his girlfriend Lucy and their dog, Tippy. Hulse weaves Super 8 footage, voiceover, postcards to friends and audio from Eric’s funeral service into a warm and affectionate, offbeat video diary; musical interludes feature the ukelele and air-drumming and Union Jack cocktail sticks mark each mile travelled and each year of Eric’s life.
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IVUL UNMADE
DIRECTOR: Matt Hulse. UK 2009. 18MINS.
A companion piece to Andrew Kötting’s new feature IVUL (screening Tues 1 Dec) featuring Super 8 sniping on location deep in the forests of the French Pyrenees.
Q&A: Followed by Q&A with director Matt Hulse.
Free
Fri 27 Nov 5.15pm
Sallis Benney Theatre
A unique opportunity to hear Mark Lewis discuss his work and his ideas – an “in conversation” with the distinguished film theorist, Professor Laura Mulvey.
Backstory & Two Impossible FIlms
Thursday 3 December, 8pm
Sallis Benney Theatre

Backstory
Director: Mark Lewis, USA 2009. 39 mins.
In this documentary Lewis tells the story of the founders of rear projection, a technique in which a second unit crew films a scene’s actual location. Lewis has said, “… in the 1920s someone had the great idea to actually put film inside of film – in order to give the effect that someone was somewhere where they were not . . . Now it seems to me that at this point film became fully and definitively ‘modern.’”
Two Impossible Films
Director: Mark Lewis. Can 1995. 28 mins.
Based on a pair of projects that were never made: Eisenstein’s movie of Marx’s Kapital and Sam Goldwyn’s absurd fantasy of filming the complete works of Freud. Lewis shoots only the opening and closing credits. The rest, apparently, is summarised in laconic storyboards – ‘Plot Development, ‘Temporary Resolution’ and so forth. Only in dream or theory could such texts ever be realised as drama.