People & Places / Artists' Cinema


JEM COHEN

Sat 21 Nov 6.00pm

Lighthouse

£5.00/£4.00 concessions

Tickets available from Lighthouse

Based in New York, Jem Cohen’s work straddles documentary, artists’ film and the essay or diary film and is at once lyrical and poetic, compassionate yet incisive. This double programme of his city films is accompanied by a Q&A between Jem and writer Gareth Evans.

Presented in association with AURORA.

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INVISIBLE CITIES I

Italian city-portraits Programme 74 mins

BLOOD ORANGE SKY

DIRECTOR: Jem Cohen. USA 1999. 26mins

A portrait of Catania, Sicily; the ocean at 5 a.m., the fish market, the distributor of pornographic films, the woodworker, the elephant statue, housing projects, and a young girl in an orange sweater. Catania is a large and remarkable city without many tourists or tourist attractions. Its people live in the shadow of Mt. Etna, an active volcano. Original soundtrack music by Mark Linkous of the band Sparklehorse.

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AMBER CITY

DIRECTOR: Jem Cohen. USA 1999. 48mins

A portrait of an unnamed city in Italy. Using a voiceover narration that collages direct observation, literary texts, historical fact, local folklore, and a bit of sheer fabrication, it melds documentary and narrative, past and present. Visuals range from verité street footage, to formal portraits of residents, to an unusual type of time lapse cinematography that allows filming in the low-intensity light of night landscapes and museum interiors. Made in collaboration with local residents and institutions, AMBER CITY reflects on the “in-betweeness” of places whose historical and geographical location renders their reality strangely invisible.

STREETSONGS: NEW YORK NOTESBOOKS

Programme 72 mins

LONG FOR THE CITY

DIRECTOR: Jem Cohen. 2008 9mins

Patti Smith’s New York.

NYC WEIGHTS AND MEASURES

DIRECTOR: Jem Cohen. USA 2006. 6mins

“My film is a simple gathering of New York City street footage. It was shot with a spring-wound 16mm Bolex on, above, and below the streets of Manhattan and Brooklyn and includes footage of the ticker tape parade for astronaut John Glenn… Due to supposed “national security concerns,” recent prohibitions are restricting what can be filmed in New York and other locales. While shooting from a train window in 2005, my film was confiscated and turned over to the Joint Terrorism Task Force and the F.B.I. This piece, which once might have been seen as strictly “lyrical,” is now also a reflection on these issues.” —Jem Cohen

LITTLE FLAGS

DIRECTOR: Jem Cohen. USA 2000. 6mins

ONE BRIGHT DAY

DIRECTOR: Jem Cohen. USA 2009. 17mins

A drunkard swears at Madison Square Garden: war, abandonment, past splendour.

LOST BOOK FOUND

DIRECTOR: Jem Cohen. USA 1996. 37mins

Documentary street footage organised into a meditation on city life. Over five years worth of collected images are used to evoke a mysterious notebook filled with obsessive listings of places, objects and incidents. These listings serve as the key to a hidden city, a city of unconsidered geographies and layered artifacts – the relics of low level capitalism and the debris of countless forgotten narratives. Influenced by the work of Walter Benjamin as well as Cohen’s first job, selling Italian ices on Canal Street.

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KINO KINETIC

Sun 22 Nov 7.15 & 8.15

Embassy Court

FREE

Circus Kinetica Studios in the basement of Embassy Court open from 12 noon.

A special open-air screening in the courtyard of the art deco Embassy Court on Hove seafront, a programme of artists’ film and video gives an insight into the work of kinetic sculptors past and present.

PAST: With large scale retrospectives of kinetic sculpture at London`s Hayward Gallery in 1970 and 2000, this area of visual art continues to capture the imagination. Kinetic sculpture is often an audio-visual medium incorporating motion along with acoustic or electronic sound, through the harnessing of energy.

PRESENT: Artist Stephen Cornford, who recently exhibited at Brighton`s Permanent Gallery, screens a film based on his record player turntable pieces, and Ian Helliwell will screen a video featuring his light and sound machine – The Megatherm. Plus the premiere of a super 8 short based on the wind and solar powered sculptures of Circus Kinetica.

LUTZ BECKER: KINETICS, THE RECORD OF AN EXHIBITION (1970, 14`)

DIRK WALES: THE KINETIC SCULPTURE OF GORDON BARLOW (1972, 7`)

 STEPHEN CORNFORD: WORKS FOR A TURNTABLE (2009, 4`)

IAN HELLIWELL: MUSIC, MOVIES & MACHINES (2008, 6`)

THE MOTION CONTROLLERS (2009, 5.5`)

 www.ianhelliwell.co.uk

www.circuskinetica.com

www.scrawn.co.uk

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I KNOW WHERE I’M GOING + MACHINE ON BLACK GROUND & PROPOSAL FOR AN UNMADE FILM (SET IN THE FUTURE)

Wed 25 Nov 7.00pm

Sallis Benney Theatre

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I KNOW WHERE I’M GOING

DIRECTOR:  Ben Rivers. UK 2009. 29mins. 16mm

An off the beaten track road movie to the Isle Of Mull. Shot in 16mm anamorphic, the widescreen cinematography captures striking panoramic views of the landscape as Ben Rivers encounters beekeepers and forest clearers and revisits subjects from previous films. His first stop is with Jan Zalasiewicz, a geologist trying to imagine the Earth in one-hundred million years. “Powell and Pressburger’s heroine in their magical I KNOW WHERE I’M GOING knows exactly where she’s going …I decided to follow her lead and make my destination the same as hers, but with every intention of getting lost, following false leads, and trusting in the laws of serendipity, while winding my way through an almost abandoned, devastated Britain, to the Isle of Mull.”

 MACHINE ON BLACK GROUND

DIRECTOR:  Graham Ellard & Stephen Johnstone. UK 2009. 15 mins. 16mm.

Combining archive material and original footage to suggest both the construction of a utopian building and the world viewed from some kind of imagined subterranean space or vantage point. The film switches from the poetic style of late post-war architectural documentary, via BBC coverage of Tangerine Dream live at Coventry Cathedral, to extended, immersive sequences of abstract stained glass.

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PROPOSAL, FOR AN UNMADE FILM (SET IN THE FUTURE)

DIRECTOR: Graham Ellard & Stephen Johnstone. UK 2007. 21mins. 16mm.

Shot on the island of Lanzarote PROPOSAL…weaves together the extraordinary, shattered, volcanic landscape of the Timonfaya National Park and the ‘retro-futuristic’ utopian architecture of artist César Manrique. The film implies that it is assembled from ‘location recce’ and audition footage; the by-product of a pre-production process for a low budget science fiction film/architectural documentary, developed this far, abandoned, and only later discovered in an archive.

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LONDON PERAMBULATOR

Thu 26 Nov 8.00

Sallis Benney Theatre

DIRECTOR: John Rogers. UK 2009. 45mins

London writers and cultural commentators Will Self, Iain Sinclair and Russell Brand explore the importance of the liminal spaces at the city’s fringe, its Edgelands, through the work of enigmatic and downright eccentric writer and researcher Nick Papadimitriou – a man whose life is dedicated to exploring and archiving areas beyond the high street and the retail park. At Wormwood Scrubs, Nick remembers his time inside where he befriended the notorious serial killer Denis Nilsen. He walks the Grand Union Canal with his friend of 23 years, Will Self, as they head out towards Heathrow and he takes us inside his archive, Deep Library, consisting of found objects, journals, maps and photos salvaged from abandoned houses and suburban skips. “The cinema of John Rogers is like a combination of…the physicality of Kötting with the Deep Topography of Keiller.” - Iain Sinclair

 Q&A: Followed by Q&A with director John Rogers and Nick Papadimitriou

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FOLLOW THE MASTER + IVUL UNMADE

Sat 28 Nov 6.00pm

Sallis Benney Theatre

FOLLOW THE MASTER

DIRECTOR: Matt Hulse. UK 2009. 75mins

Following the death of his grandfather, Eric aged 96, Matt Hulse sets out on a personal pilgrimage walking the 100-mile South Downs Way accompanied by his girlfriend Lucy and their dog, Tippy. Hulse weaves Super 8 footage, voiceover, postcards to friends and audio from Eric’s funeral service into a warm and affectionate, offbeat video diary; musical interludes feature the ukelele and air-drumming and Union Jack cocktail sticks mark each mile travelled and each year of Eric’s life.

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IVUL UNMADE

DIRECTOR:  Matt Hulse. UK 2009. 18MINS.

A companion piece to Andrew Kötting’s new feature IVUL (screening Tues 1 Dec) featuring Super 8 sniping on location deep in the forests of the French Pyrenees.

 Q&A: Followed by Q&A with director Matt Hulse.

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CINDERS (NOW OFF YOU GO BUT REMEMBER, YOU MUST NOT TURN BACK INTO RAGS)

Andrea Slater

Sat 5 & 6 Dec 1.00 – 5.00pm

Grey Area 

FREE

rug pearls tv 2

A moving image installation based on the 1976 film THE SLIPPER AND THE ROSE (Paradine Co-Productions 1976). Utilising clips from the original movie and the artist’s own material, CINDERS is an exploration of the blurring of our memory of cinema and one’s own past. Incorporating themes of desire and time, fiction and reality.

greyarea@hotmail.co.uk

thegrey-area.blogspot.com

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